Wall-e is a kind of science fiction animated film directed by Andrew Stanton in 2008. The film perfectly depicts the possible consequences of consumerism and over-reliance on technology. Although some accuse technology of being the enemy of human beings and this planet, it is humans who become their own enemies. The film impressively draws attention to the fact that over-consumption of resources and over-reliance on technology are devastating to humans and the earth, as consumerism robs the planet of its natural resources and makes it uninhabitable for future generations while technology makes us useless. Actions such as consumerism threaten the existence of this planet and technology may result in a society where humans will turn into mindless robots and no longer care about anything and robots will likely be more humanized like Wall-E and EVE . Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get the original essay Wall-E takes place 700 years in the future. In the opening scene, we see a backdrop of an endless universe where millions of stars and galaxies swirl serenely. This peaceful vision comes quickly when the director uses wide-angle shots and zooms the camera, passing through huge clouds of smog to reveal the lonely planet Earth that was once inhibited by humans. The fascinating green shades of the trees and grass and the turquoise hues of the ocean are now replaced by the murky yellow hues of rusty metal. This color effect is chosen by the director to present dark mode and the fact that something wrong has happened. If he had opted for bright colors they would have interpreted prosperity and joy which is not the case here. As the director continues to take wide-angle shots to delineate the earth's meager existence, we see a number of buildings that actually turn out to be piles of trash. There are no signs of life and it is obvious that the land has been abandoned. From a high angle we see a moving object, it's Wall-E who is busy compacting trash into cubes and stacking them into skyscrapers. Wall-E is a trash compactor robot and with his binocular eyes, Stanton draws our attention to the multitude of emotions in those eyes which give him a sort of personality. Additionally, cinematographer Roger Deakins and visual effects supervisor Dennis Muren demonstrated incredible teamwork in giving Wall-E real photographic detail using the lights associated with action photography live. Among the early scenes, one can certainly witness the sensation of looking at a photograph. For example, when Eve descends to earth, the camera moves so quickly that it appears to lose focus for a second. Stanton doesn't stop there. He further confirms his audience's doubts about the uninhabitability of this planet by giving Wall-E a pet cockroach. He could have chosen a cute rat or a mouse, but he chose a cockroach because it is known to survive any kind of disaster. Keep in mind: this is just a sample. Get a personalized article from our expert writers now. Get a personalized essay As the film progresses, we witness the arrival of EVE who, compared to the small, outdated and rusty Wall-E, appears high tech, advanced and new. Despite being equipped with weapons, Wall-E falls in love with her and does his best to get her attention...