Through all the incidents, Nair searches for deeper meanings in art and life. Nair's Mistress is set against the backdrop of the Ganges River Nila in Kerala. Many Kathakali writers and artists have lived and died there while some still live there. Say no to plagiarism. Get a tailor-made essay on “Why violent video games should not be banned”? Get an original essay On her training in women's liberation and gender roles in the family, Anita Nair explains in an interview with Sneha Subramanian Kanta: I don't I believe that a woman's emancipation is linked to the roles she must play in life. In fact, a wife/mother is only one side of a woman in a relationship. However, even as a single woman, she is still a daughter, aunt, etc. So it would be almost impossible for a woman, or for that matter, a man, to be completely isolated from relationships. Nair's mistress explains that Radha's married life has become entangled in a love triangle. Nair's concept of a free woman goes beyond the limits of economic or social freedom but relates to her mental and emotional attitude of well-being. Anita Nair describes how Indian women are exploited even in modern times, both by individuals and society. Nair defended revolutionary ideas on marriage, the male-female relationship and the concept of the new woman. Radha is an educated woman. She works in a company where she falls in love with a senior manager, much older than her. In fact, man uses his body. At some point, she becomes pregnant and has an abortion. Radha's father, aware of what she has experienced in her life, feels distress as she is the only daughter of her rich parents. He thinks that marriage is the only solution that will alleviate his daughter's distressed temperament. Her father finds no other way than marriage to save his daughter from depression and the social scandals linked to her premarital relationship. She is forcefully married to Shyam by her father. It's a marriage of convenience for her. At that time, marriage was the ultimate goal of all Indian women. Radha is not satisfied with her married life. Shyam loves her but they are an unsuitable couple both emotionally and culturally. Simone de Beauviour says in The Second Sex: “The institution of marriage has spoiled the spontaneity of feelings between husband and wife by transforming freely given feelings into obligatory and garish rights” (445). She is completely dominated by her husband and her older sister. Although Radha is married to Shyam, she is not comfortable with him. She is forced to become a housewife and must play the role of a traditional wife. Radha accepts her marriage with Shyam but she cannot love Shyam. She doesn't protest every time Shyam makes love to her. He says, “When she responded to my touch and I knew she was trying to block a memory, I closed my mind to it” (M 123). At the beginning of her marriage, patriarchy exists in different ways, like she is not pregnant even after eight years of marriage. She is therefore described as infertile by society. She is blamed by society although Shyam is helpless. Shyams' controlling nature is to put an end to all his plans. Then Radha reacts: “I hope this will not harm your position in society. Is there anything I can do that won't do this? I wanted to teach in an elementary school and you said it was too much work for too little money. When I wanted to start a course, you said the same thing. Then I wanted to open a daycare and you said you didn't want the house to be full of screaming babies. So I thought I'd find something else to.