"Discuss how the distinct visual characteristics of John Misto's Shoehorn Sonata and ONE other related text of your choice convey distinctive experiences" Say no to plagiarism. Get a tailor-made essay on “Why violent video games should not be banned”? Get an original essay The distinctive experiences of women captured by the Japanese during World War II and the plight of the homeless in cities like New York and Sydney are distinctively depicted visually in John Misto's play "The Shoehorn Sonata" and Van Genderen's short film, "Humanity is Not an Island". Distinct visual images are highlighted through a variety of different techniques such as camera shots, language techniques, lighting, imagery, visuals, and music. All of this is used to create the distinctive experiences of survival, hope, injustice and friendship expressed in "Shoe-horn Sonata" and "Mankind is no Island". John Misto uses the injustice committed against vulnerable groups to serve as a reminder of the pain and suffering they have inflicted. The injustice in the "Shoe-horn Sonata" is projected through the image of ragged Australian and British female prisoners on camp-style beds (Act 1, scene 1), to emphasize the filthy environment during their incarceration. This is depicted through the dim lighting of the empty set, which creates an eerie atmosphere and draws attention to Bridie as she enters the set. The deafening sound of machine gun fire and the screams of women on the diegetic soundtrack create a sad image of Japanese officers participating in this injustice against innocent women. It shows how human life is considered worthless and useless. There is also the injustice of the British Empire towards women, which is supported by colloquial language, "The British were a bit fat", i.e. a criticism of British resistance to the evacuation of women. However, this injustice is not only seen by the British Empire, but also by the manner in which the Australian government neglected Australian nurses. This can be seen through the dialogue, "Japanese destroyers have been sighted in the area", this shows the negligence of the empire which put innocent women in danger, and how the government actually had the women captured. Mistos also uses the superstitious event "it was Friday the 13th. Friday the 13th" to show the danger the women were in. The injustice can be seen not only by the Japanese but also by the British Empire and the Australian government, which allows the audience to understand that they are also hostile and shows that no one is safe. Van Genderen's "Humanity is Not an Island" depicts society's injustice towards the homeless of Sydney and New York, but also shows survival and hope. The fact that the film was constructed solely using a camera phone creates a dialogue about society's attitude towards the homeless population of Sydney and New York. High-level shots as well as eye-level shots of the homeless show how ignored and neglected they are by society. The music also complements the visual actions and dialogues, it shows the multiple interpretations of society, hope, injustice and ignorance. The soft melody transitions to the fast melody, “mothers, boy, father” engages the audience and inspires empathy, relating to the family they may have once had. The use of low angle shots of the statue of Jesus symbolizes hope and power because it.