Reunification with mothers (Mars Needs Moms and Home) and friends (WALL∙E) for most becomes the celebrated moment. Interestingly, this family value does not apply to humans but also to aliens. In his observation on Disney and Pixar films, Booker asserts that the promotion of family values ​​is an important priority of American children's films today, which is also supported by "the political power of the idea of ​​'family values.' in recent American public life. ” and that “families are considered the primary audience for films” (185). Children's films in this case have constantly imposed this certain ideology by transforming it into common sense. Such films can certainly, among other things, be considered an ideological state apparatus in the Althusserian sense. Furthermore, Booker also notes that the meaning of family here does not necessarily consist of parents (of opposite sexes) and their biological children. As long as a group of people can function as a family, it can be considered a "family ».’