The Vanity of Small Differences Collection by Grayson Perry is an exhibition of his exploration of our personal lives and reflects the way we grew up in terms of class . Grayson Perry is known for always working with traditional materials such as bronze, cast iron, ceramics, printmaking and for these pieces, tapestry. The tapestry is known to be the work of art of great houses and tells stories of classical myths as well as religious events, historical scenes and famous battles. Perry's tapestry pieces use the idea of ​​documenting ancient events, but rather within the context of modern circumstances. Say no to plagiarism. Get a tailor-made essay on 'Why violent video games should not be banned'? Get an original essay Much of the inspiration for the pieces came from Grayson Perry's 'Safari Among Britain's Taste Tribes' , referring to Sunderland, Tunbridge Wells and The Cotswolds. He traveled this journey for his TV show "Everything in the Best Possible Taste with Grayson Perry", first broadcast on Chanel 4 in May/June 2012. The collection involves constructing characters from those he has encountered, incidents and objects. it looks like his journey. Much of the inspiration came from William Hogarth's 18th-century paintings titled "A Rake's Progress", a series of eight paintings telling the story of young Tom Rakewell, who inherits a large sum of money from his father. Unfortunately, the young man spends this money foolishly and spends it on clothes and gambling. He then marries for money and loses this inheritance through further gambling and ends up sentenced to debtor's prison and dies in a psychiatric hospital. Perry connects Tom Rakewell's story to his tapestries as well as his own experiences. “Hogarth has long influenced Perry's works, his English character, his robust humor and his depiction, in his own words, of 'modern moral subjects.' (Miro, 2012).Keep in mind: This is just a sample.Get a custom paper from our expert writers now.Get a custom essay. Grayson Perry comments: “Tapestries tell the story of class mobility, because I think nothing has such a forceful influence on our aesthetic taste as the social class in which we grow up. He is politically interested in consumerism and the history of popular design, but for these works he focuses solely on "the emotional investment we make in the things we choose to live with, wear, eat, to read or drive. He believes that our regard for our class and tastes is ingrained in our character, and that this "emotional charge" is what attracts him to the subject..