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  • Essay / Reality TV and the Dance World - 795

    Much of the world has a vague idea that the dance world exists, but they don't know much beyond that. The help of reality television shows, such as Dance Moms, So You Think You Can Dance, and Dancing with the Stars, introduce the general public to the inner workings of the dance community. Unfortunately, advertising can change the way society perceives the world of dance. Reality television has affected the dance world by bringing an air of commercialism to it, influencing young dancers to assume that the main focus should be on breathtaking tricks rather than artistry, and it inspires audiences to instead focus on the lavish costumes and dazzling stage performances. than exposing the sweat, blood and tears required to assemble the final product. Reality TV gives the world of dance a negative connotation because it complements an air of commercialism. Choreographers may need to water down their routines to entertain the audience so they understand. “I'm always looking for creativity and artistry, but I'm also very aware of our audience, so I don't go to the point where it's so internal that they wouldn't understand,” Mia Michaels said. choreographer on So You Think You Can Dance, (The Real Deal NP). Dancers and choreographers must remember that this is not a concert and dance hall; their obligation ensures that the audience can identify with the show. Michaels went on to say, “We spoon-feed people who don’t dance. Give them too much at once, they won’t get” (The Real Deal NP). Commercialism has also affected the way dancers present themselves. Of course, the audience wants to see a passionate dancer, but "the portrait of a dancer who emerges...... middle of paper ... always think about what their dances would look like from all angles rather than just from the head. on; create a challenge and learning experience for these choreographers. As Wade Robson, who directed one of the first dance competitions, "The Wade Robson Project," states, "What comes with good opportunities for choreographers in big, prime-time situations is responsibility to fight to maintain the integrity of the environment. work”, (The Real Deal NP). Works Cited Burke, Siobhan. “Who needs the drama?” » Dance Magazine – If it happens in the dance world, it happens in Dance Magazine. Dance Media, July 2013. Web. March 31, 2014. Macel, Emily. “For real?.” Dance Magazine – If it's happening in the dance world, it's happening in Dance Magazine. Dance Media, September 2008. Web. March 31, 2014. “The Real Deal.” » Spirit of dance. Dance Media, November 10, 2008. Web. March 25. 2014.