IntroductionThe Great Cultural Revolution of the Chinese Proletariat (GPCR) is a well-documented period in world history, but the deepest records are brought to life in literature and films. later in the 20th century, respectively. One of the most profound novels is "To Live", written by Yu Hua, which, as a fictional account, offers both a unique and realistic sense of the period on an individual level. However, the provocative film adaptation directed by Zhang Yimou in 1994 was formidable enough to be banned in mainland China. Zhang paints a more realistic picture of how the GPCR has influenced Chinese society, but adds spice to Hua's ambiguity but acceptable imperfection. Naturally, the film has many different characteristics, but still manages to overcome the challenges that film adaptations entail. This analysis emphasizes the differences between Hua's novel and Zhang's film by juxtaposing two key themes and dual symbolism that changed from one format to the other. . The article is divided into two parts and begins with an introduction and analysis of Yu Hua's novel and Zhang's film. Finally, the second part analyzes the representations in the film and the novel of two themes and symbolisms linked to the GPCR. This article posits that although Zhang's film contained many adjustments based on its adaptation, these changes were not simply a means by which it would respect the status quo, but rather a means by which the film could become more realistic and exploit true nature. of the GPCR.First partThis part is divided into two sub-themes. The first subtopic provides a summary of the book and contains spoilers. The second subtheme sums up the film. Both summaries incorporate key events in both forms...... middle of paper ......Erxi die? Although there is no indication as to why he died in the novel, it is quite obvious that the reason he died in both films is because, at one point, he represented the wave of the future; Communism. In other words, Erxi's death represents the end of the GPCR. Meanwhile, at the end of the film, Mantou's investigation into the chickens leads to the same parable that Fugui mentions to Youqing in the novel. However, the problem lies in the Fugui's inability to respond when Mantou asks him what will happen after the beef. Fugui is at a loss for words, Jiazhen says that Mantou will ride on the back of an ox but Fugui continues and says, “Mantou won't ride on an ox, he will ride on trains and planes. And life will get better all the time” (Hua, pp. 242-243). Works CitedHua, Y. (1993). Live. New York: Anchor Books. Zhang, Y. (Editor). (1994). Live [Movie].