Table of ContentsAnalysis of Racial Bias Issues in the Film “Blackkklansman”Concluding ThoughtsWorks Cited: “All power to ALL people. » This motto is repeated throughout the latest “Spike Lee Joint”. BlacKkKlansman is the latest film from the director of acclaimed films like Do the Right Thing, Malcolm X and Inside Man. The film is set in the early 1970s and follows Ron Stallworth (John David Washington), the first African-American detective hired by the Colorado Springs police force, as he infiltrates the local chapter of the Ku Klux Klan with the help of his partner, Flip Zimmerman (Adam Driver). Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get the original essay Without a doubt, BlacKkKlansman is Spike Lee's best film since Do The Right Thing. Not because he is back on the political field, since he never left it, but because the film is fluid, it is a true and human story, and it is a thoughtful work which takes you takes you from one moment to the next in unexpected ways. It's a hypnotic film that draws you in with its humor and – not so subtly – slowly builds dramatic pressure to leave you with that same sense of introspection that Do The Right Thing achieved in 1989. Racial tension often has was the very essence of the film. of Spike Lee's best work, and in a sense, Lee continues the discussion he started in Do The Right Thing with BlacKkKlansman. Analysis of issues of racial prejudice in the film "Blackkklansman". In both films, Lee continually presents the issue in both films. How should black people deal with racial intolerance: through nonviolent objection within the system or through external, violent rebellion? One of the most remarkable aspects of BlacKkKlansman is how this conflict is internalized by Ron, who is the department's first and only black police officer. Ron believes he can make a real difference in law enforcement, despite the spirited objection of a Black Power advocate (Laura Harrier), who argues that Ron is simply a fool who sold out his fellow Afros. -Americans. Meanwhile, Ron's partner, Flip, is a man with his own identity issues as a Jew infiltrating the Klan posing as Ron. As Flip moves deeper into the Klan's ranks, his loyalties are continually questioned, forcing him to remain an anti-Semitic racist. Driver is excellent at playing the cool and collected detective, although he periodically hints at the character's inner anxiety. Lee manages to find personal stories in the racist chaos that ensues in Colorado Springs and tells them openly and honestly, driving home the point of his film. In fact, it explicitly addresses the similarities between the film's tense atmosphere and our current times. However, his lectures all fit within the confines of the story he is telling, becoming mocking, sarcastic humor rather than soapbox and chest-thumping exposition. Speaking of humor, Spike Lee's most telling calling card may be the way he handles comedy, and Lee's dramatic comedy is all over BlacKkKlansman. This movie is absolutely hilarious. My friends and I, and our theater, were screaming at some of the jokes and crazy situations Ron and Flip found themselves in. Of course, a lot of the credit goes to the actors, especially when it comes to comedy, but I admire directors who can change tone on a dime, and Lee does it magnificently here. He can make you laugh until your sides hurt, but then he can take you into a scene, 37(1), 75-90.