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Essay / Analysis of the film Rashomon and the cinematographic techniques used
Kurosawa asked the Japanese studio Daiei to make a film for them after a scandal. For this film project, Kurosawa selected the film story based on Ryunosuke Akutogawa's "In a Groove". Along with Hashimoto Shinobu, Kurosawa wanted to write the script for a story about Rashomon. Because "in a groove" the story is too short to be filmed, that's why Kurosawa set the film to Rashomon. Rashomon is the first of two Kurosawa films in which working with Japan's most talented and famous cinematographer is Kazuo Miyagawa. They have 10 years left before they work together again in a single film. The producing company of this film, "Daiei", was reluctant to allow the Kurosawas to participate in this film project and became even angrier when they discovered the cost of the Rashomon Gate set. Daiei is so confused about the success of the film until Kurosawa's next film fails. Rashomon received the Oscar for Best Foreign Film. This is the film that put Japanese cinema on the map. His impact on Japanese cinema and cinema as a whole cannot be overstated. Say no to plagiarism. Get Custom Essay on “Why Violent Video Games Should Not Be Banned”?Get the original essayDuring the Heian period, Rashomon is the gate, there are four gates outside the capital Kyoto to the respective cities , Rashomon is one of them. grid. A man takes refuge under the half-destroyed gate where he finds two other men already sitting there to escape the rain. A priest is played by Minoru Chiaki and a lumberjack, played by Takashi Shimura. The two men were returning from testimony and the trial surrounding the deaths of the samurai. They had both started their flashbacks with the story of third men. The genre of side stories for these men is known as a frame story. The main story of Rashomon is the death of the samurai and the rape of the samurai's wife. The main point of the story is that human beings have a universal weakness. Everyone lies to make themselves look better. But some, as the film shows, manage to redeem themselves. Without even wasting time, a single shot of Kurosawa begins to develop the idea of the film. The mood of the film can be depicted from the first frame. The beginning of the film takes place without dialogue or characters but through the weather. As Kurosawa was a big fan of rain. When Kurosawa met his idol John Ford, the first thing he said to Kurosawa was you really like rain. The camera sequence is one of the most enjoyable things in the film as the woodcutter and priest sits under the Rashomon Gate and tries to escape the pouring rain they have taken shelter there. Watching the rain and capturing the rain from different angles from the beginning. During the civil war under the ruined gate outside Kyoto, a cynical peasant took refuge under the gate where he found a (Minoru Chiaki) priest and (Takashi Shimura) a woodcutter. The two men seem unsettled while returning from the court in the case of the death of the samurai and the rape of the samurai's wife because of the bandits and they were lamenting because of the unsettling series they experienced. Most of the film is a flashback or sequence from the film. pass. According to the woodcutter, it shows the version of events that make up the murder scenario, where they discover it through action, events and characters and cover up possible thefts and rapes. The sequence (02:00) contains no dialogue and is constructed from sixteen shots, of which the lumberjack appears in twelve. there are two close-ups, a close-up of the present time in which the woodcutter's face comes closer as he begins to 20, 2019.