Rossetti was born in London in 1830 into a notable family of artists, scholars and writers. His father was an exiled Italian revolutionary and poet and his brothers William and Dante Gabriel Rossetti were founding members of the Pre-Raphaelite Brotherhood art movement. Christina had her first book of poetry privately printed by her grandfather when she was 12 years old. At the age of 19, she wrote poems for the Pre-Raphaelite magazine The Germ, under the pseudonym Ellen Alleyn. Rossetti then died in 1894. Say no to plagiarism. Get a tailor-made essay on 'Why violent video games should not be banned'?Get the original essay The women in her family were committed High Church Anglicans, and as a teenager Christina suffered a nervous breakdown that was diagnosed at the time as “religious madness”. Rossetti fell in love with several suitors but rejected them all because they did not share his precise religious beliefs. Rossetti rejecting several men is depicted in his poem "No Thanks, John" in 1859 and after reading it, it would be impossible to forget the message of tactful rejection. In this poem, the speaker rejects John's persistent offer of love. His work speaks to the idea of ​​unrequited love. The speaker claims that she never told John that she loved him and that he knew that she never loved him. As the poem progresses, Rossetti's speaker moves from simple refusal to incorporating beautiful verse with crude remarks in a tactful manner. In 1862, at the age of 32, she published her first full-length collection, Goblin Market, and Other Poems. A sensual fairy tale, Goblin Market is an intoxicating tale of repressed sexuality and brotherhood. There are two popular interpretations of "Goblin Market": one is religious and the other focuses on gender and sexuality. If the reader is more familiar with religion, they will see the Christian allegory. However, if the reader is familiar with the study of gender and sexuality, the symbolism will relate more easily to that topic. In the Christian interpretation, Laura represents Eve, the goblin men are the equivalent of Satan, their fruit is temptation to sin, and Lizzie is a Christ figure. Laura sins by going against the ban on eating the goblin fruit, which is an homage to Adam and Eve eating the forbidden fruit in the book of Genesis. The goblins' long list of fruits represents the wide variety of temptations humans face throughout their lives. like Adam and Eve, Laura discovers that the fruit does not bring flourishing, but rather death and destruction. The second interpretation of "GoblinMarket" is based on symbols of repressed sexual desire and sexual violence. Lizzie and Laura are both innocent and virginal at the beginning of the poem, but Laura's curiosity proves stronger than her sister's warning. Rossetti creates an uncomfortable struggle between the consequences of pursuing desire and the need to explore natural human desires. In terms like “sucked” and “raised,” Laura loses her youth and fulfillment (her virginity, essentially) after taking the tempting fruit of the goblin men. In Victorian society, a woman's deflowering marks her transition into adulthood as a wife and mother. However, as Laura is not married, this meeting prematurely deprives her of her status as a “young girl”. Laura didn't heed her sister's warning and now, just like Jeanie, she will suffer. Her concern for female companionship manifested itself in real life when Rossetti devoted ten years as a volunteer at St Mary Magdalene Penitentiary for prostitutes and unmarried mothers in Highgate. The interest.