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  • Essay / The Story of Beethoven's Symphony of Destiny

    Table of ContentsBackground of the IntroductionGeneral Description“As destiny knocks at the door. » Deep impact of this workConclusionBibliographyThe Introductory Symphony No. 5 in C minor, Op. 67, also called "Destiny", was composed by Ludwig Van Beethoven between 1804 and 1808. This work is described as one of his works famous classics from his life, which expresses the positivity and striving spirit of humanity who will never give up and be defeated by the oppressive reality. Beethoven’s “Destiny” showed us his continuous struggle, his inflexibility in the face of fate and his passion for life. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get the original essayBackgroundAs Beethoven wrote this symphony, he faced the threat of deafness and a life-or-death ordeal. Due to his deafness, his health and finances were dire, to the point where he even borrowed money from friends. Beethoven was forced to interrupt the creation midway due to financial difficulties, so the completion of the “Destiny” Symphony took a relatively long time. Until 1808, Beethoven completed the “Destiny” Symphony, enduring both physical and mental suffering. This Symphony once again reflects Beethoven's creative talent and astonishing power; he spent a lot of effort to complete this work, which is why the “Destiny” Symphony is also one of Beethoven’s proud works. General description The first movement of “Destin” is in C minor, in sonata form and Allegro con brio. The music's opening theme titled "As Destiny Knocks at the Door" by Beethoven. It's dark, cold and dignified, playing with the muscular strength of strings and clarinet. Then the theme appears in each part with low intensity, as if it were the afterglow of an eruption, as if the catastrophe was spreading everywhere. As the power grows, the theme of destiny reappears in the roar of the orchestra and rushes forward with a slight variation. It started a bit panicky but gradually came to life, trying to dominate. Suddenly, two loud chords interrupted him. After a moment of silence, a loud horn sounded in the horn section. Immediately, the second theme of lyricism is presented, which is the representation of the composer's heart. In this quiet and warm music, Beethoven expresses his desire for peace. At this time, the theme of destiny, hidden in the murmur, becomes more and more stubborn and determined, waiting for the opportunity to reoccupy the territory, but a determined and robust melody drowns it with an irresistible momentum. The struggle of destiny could still be heard at the end of this music. The 2nd movement of “Destiny” modulates in Ab Major —— the subdominant key of the relative key of C minor (Eb Major), the double variation form and Andante con moto. Wild destiny finally appeared, sullen and agitated, again and again in all tones, seeking its opportunity, peering into the void, in order to interfere in life and dominate it entirely. Then a clarinet sounded, calling the men to fight. Little by little, the strength of the music weakened and the areas of the voice were frequently exchanged. The tone was low and unsteady, as if he was doubting and wavering in the struggle. Suddenly, the theme of destiny reappears with ferocity. He shouts crudely and enters the third movement at the climax of the explosion. The 3rd movement of “Destiny” goes back to C minor, ternary form — composed of a scherzo and a trio, and Scherzo: Allegro. It repeats the first movement but slightly modified. The theme of destiny continues to spread, sometimes withworry, sometimes eagerly. Suddenly the oboe struck up a slow, melancholy note. He stopped his pace and the tone seemed to be a lament over an unfortunate fate. Then the theme of destiny evolved and the attempt at domination strengthened. When the second theme played, the mist temporarily disappeared. Nevertheless, destiny would not rest until a determined and robust melody engulfed him. At the end of the movement, the struggle between the people and destiny becomes more intense. At the beginning, the theme of destiny stands proudly with great force and powerful sound. Then the clarinet plays, which forms a force to drive away bad luck with the rising sound of the violin. After several fights, the man still could not get rid of the cruel fate, the music in the destiny of the spirit theme of the end of this movement. The 4th movement of “Destiny” remains in C minor, an unusual variation of sonata form. — the music stopped on the dominant cadence at the end of the development, and Allegro. The large ensemble is also the heart of the entire symphony. After a fierce struggle, the people rely on indomitable will and fighting spirit, never give up in the face of difficulties and setbacks, the final will usher in an exciting moment of victory. The last chapter, as the final part of the whole music, must pay attention to mastering the rhythm, showing the majestic momentum, and using the ensemble of various musical instruments to show the beautiful future after the wind and rain ahead people, so as to achieve the head-to-tail echo effect and bring people the shock of the soul. “As fate knocks at the door. » The first movement is the eve of the fight against destiny. It begins with a short phrase of three short notes and a long one of four notes, that is, the knock on the door of destiny. This pattern is simple, but it packs great momentum and suspense. At the beginning of the music, the strings and clarinet played a rhythm that symbolized the sound of the percussion of destiny, which shocked the entire space. This specific motif declared that “destiny is knocking at the door”. Its atmosphere is cold, dark and menacing, showing the cruelty and ferocity of dark forces. After this motivation, the strings repeatedly play the first theme, which is modified by the motivation in different sound areas. This seemed to be a stern warning, and the music was full of tragic and passionate fighting enthusiasm. As the rapid sound was interrupted by the entire group, the feeling of panic and anxiety intensified. The harsh sound of "doom" sounded on the field, frightening and ominous, indicating the disaster of the oppressed people. Then the horn played a firm, clear horn melody. The emotion subsided, leading to the lyrical and gentle secondary theme, as well as the gentle timbre of the horn itself, thus awakening people's desire for light and happiness. Then the sobs of the oboe and the sound of the whole string, deep and swirling, are incredibly restrained. Even weak syllables were treated as reliably and movingly as feathers floating in the air and falling gently to the ground or onto our bodies. Then, the threaded strings, colored like flowers, fragrant let us smell. Like the stars, bright, may our eyes and our hearts light up together. Followed by a full of lyrical, pure and rich feelings of the second theme played slowly, when the violin, the clarinet and the flute playing the melody, the cello and the bass played from time to time a figure of "destiny", the theme of the herald's struggle continues to expand, the character of the hero in the music developing rapidly towards a bright, resolute and optimistic atmosphere. The whole movement moves forward with a feeling of, 1972.