-
Essay / Analysis of visual design in the film Edward Scissorhands
The film Edward Scissorhands, directed by Tim Burton (1990), tells the story of a modern-day fairy tale, in which an inventor created an artificial man whose name was Edward and who was unable to complete his project due to a heart attack, which left Edward with scissors for hands. However, Edward is portrayed as a gentle soul whose only wish is to be loved by Kim, who is one of the main characters, or by anyone. By the end of the film, Edward realized where he truly belonged, which was alone in his master's house. Tim Burton is inventive and often uses airless camerawork, lighting and color to reflect Edward as an outsider to the city, but also as a neighbor to the city. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get an original essay At the beginning of the film, the color contrast between the suburban neighborhood and the Edwards mansion shows a big difference between the two worlds. The suburban neighborhood has bright colors. The houses are rich in colors like yellow, green and pink. The Edwards mansion was depicted with bland shades of gray/black. It reflects a mysterious and isolated life. Color was also used to deceive people because Edward was dressed in black leather with studs and buckles, which made him appear mean or evil. In reality, it was the opposite. Edwards was the sweetest and calmest person in town, but to the townspeople who lived below Edward, they wore bright, extra colors and were the most critical and self-centered people. Another example, Peg, who is also the main character, enters the shadows of Edwards Castle wearing a light pink suit. This may be a sign that there is hope that she will bring color to Edwards' life. The notion is explored again towards the end of the film as Kim and Edward share the same color since Kim is now dressed entirely in white, this not only reflects her innocence but also the bond they share as she is the only one who believes although Edward is basically good. As for the colors, I think the bright pastel colors collide with the bland gray and black, making the film look a bit theatrical. For what? Because at the beginning of the movie you can see the city dominating, you can see this dark, evil mansion of the whole city as kind of a burden. I feel like color was the central theme of the entire film. For what? Because no matter what you look like on the outside, how you are on the inside matters, and Edward is a gentle and kind soul. Unlike the townspeople, at my first look I thought they were such kind and understanding people, but damn, they proved me wrong. The camerawork in Edward's scissor hands is a wonderful representation of everyone's perception of him. The technique of using camera angles on each character in each of his films is a way of expressing their differences. An example of this technique was used early in Edward Scissorhands when he used a wide-angle camera to make Edward appear scared, weak, and helpless. This kind of technique shows the personality of each character in the film. Some angles used by Tim Burton are claustrophobic angles, point of view shots, close-ups and long shots to create illusions in order to communicate the central concepts of isolation and self-discovery and as well as enhance the underlying theme. For more details on camera angles. At the beginning of.