Presenting a recital to the public is a difficult task. It requires a certain number of skills from the performer which must be met at the exact time of the performance. I like to think of the solo recital as the musical equivalent of the athletic triathlon. In the case of the recital, the three areas that must be completely aligned by the recital date are musical expression, mental focus, and physical preparation. In this article, a systematic approach is used to address these elements. The suggestions are not exclusive but have been used successfully in both my own and my students' recitals. Many of these ideas are simply practical ideas that the reader may already be familiar with. Other ideas might be new and could be considered to improve the recitalist's preparation for the recital.1. Choosing a ProgramIn previous years, choosing a recital program was largely a historical paradigm aimed at showcasing the performer's skills in three or four main stylistic periods. These types of programs are still presented today and are favored for competitions, particularly for young artists. Today, however, recitalists can choose from a broader palette of program types, including music by a single composer, a program of music by composers from a certain country or geographic part of the world, or a single period music program. Choose a high-quality music program that will keep the listener engaged. The world is full of great music, old and new. Master and present the standard works in your repertoire first, then explore the less often heard gems. As you progress in your career and make contacts, commission works from emerging composers to perform at your recitals. ...... middle of paper ...... being one of the pinnacles of musical expression, endurance and concentration for all musicians, will enable the recitalist to create a musical event of enduring beauty resonating in the collective memory of an audience. Scott Locke has given numerous clarinet recitals throughout the United States, including at the University of Georgia, Arkansas State University, Anderson University, Ball State University, at Western Illinois State University, Middle Tennessee State University, Purdue University, and the University of Mississippi. , Murray State University and American University in Washington, DC. He has also given solo recitals at the World Bank, Coolfont Manor House, Sligel Music Club, Pacific Rim Summer Music Festival, Canada, and the American Church in Paris. . He is currently an Associate Professor of Music at Murray State University..