Who is a woman? What is a woman? When asked these questions, people are unable to answer them. According to Google's definition, a woman is part of the gentler sex and is a man's girlfriend or lover. We can deduce from this definition that a woman is gentle, gentle and cannot fend for herself. Additionally, a woman is always referred to in reference to a man (the man's girlfriend, wife, or lover). A woman is much more than a man's possession. She is a strong person who has her own life. Her life does not revolve around her husband, her children or her parents. Although man is born of woman, the term universally used for both sexes is not "woman", but "man". For example, “man reacts positively to economic incentives”. This includes members of both sexes. When we hear four words, man, woman, doctor and cook, we usually associate a doctor with a man and a woman with a cook. We do it almost instantly, without thinking, because this stereotype has been engraved in our minds by many influential factors such as movies, books and people's opinions. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get the original essay. Bollywood is one of the major influencers as it reaches the masses more effectively than newspapers or television. Even in the 21st century, a woman is expected to be the perfect daughter, mother and wife. She struggles to have her own identity and is often mentioned in reference to a man (her father, her husband or her son). The “ideal” woman is often described as a woman without dreams, passions or aspirations of her own, who exists simply to take care of her parents and husband. Its only “use” is to reproduce and remain confined within the four walls of the house. Movies like Chori Chori Chupke Chupke have dialogues like "Aurat ke ek nahi teen janam hote hai. Pehla jab woh kisi ki beti bankar is duniya mein aati hai, doosra jab woh kisi ki patni banti hai aur teesra jab woh maa banti hai. " In the black and white era, when contact in films was prohibited, heroes would drive behind heroines in their jeeps, cars or bicycles and sing songs, whistle or generally tease them. With the evolution of cinema from black and white to Technicolor, Bollywood began to display its misogyny. Bollywood has always centered around a male protagonist with an actress in a supporting role. In recent times, Bollywood has 'promoted' the role of an actress from a supporting role to that of a 'love interest' or an object. Internationally acclaimed films like 'Dilwale Dulhania Le Jayenge', which were acclaimed for their exceptional storyline, don't really deserve it. In the film, it's disappointing to see a mother tell her own daughter to stifle her dreams just because she's a girl. She says, "Sapne dekho, zaroor dekho. Bas unke Poore Hone Ki Shart Mat Rakho." The lyrics of songs like “Taakte rehte tujhko saanjh saware” are meant to be romantic, but in real life it can be considered stalking and is punishable by law. Often portrayed as meek and helpless damsels in distress, Bollywood has been stereotyping women for years immemorial. In Bollywood films, women are portrayed with physical attributes like beautiful, pregnant, blonde, brunette, fat or attractive, while men are portrayed with personality traits like independent, rich, respected, powerful, ruthless and proud . If a woman is proud, she thinks too much of herself. If a man is proud, he has done enough in life to be proud. If a man talks too much, he has a lot ofknowledge to pass on, but if a woman talks too much, she just talks too much. If a man talks about his relationships in public, it makes him a “stud,” but if a woman does, she is labeled a woman of loose morals. Presentations of the actors are generally done in this way. The actor is shown as an aspiring singer, an experienced teacher, an honest civil servant or an honest police officer while an actress is shown as a beautiful young girl ready to get married, as the daughter of a Mr. Shah , as a bar dancer or as a heartbroken girl who had just been abandoned by her lover. Bollywood has objectified women since time immemorial. Object songs with bodies of water flowing down a woman's cleavage, zoomed-in shots of her waist, and dancing to Object songs with cheap lyrics depict the degradation of women's identities in Bollywood films. Although this problem has not been completely resolved, films like 'Pink', 'Mardaani', 'Dear zindagi', 'Neerja', 'Queen', 'Lipstick under my burkha', 'Akira' and 'English Vinglish "are a beacon. of light in the dark, misogynistic and patriarchal world of Bollywood. They portray women as the strong and bold individuals that they are. This shows that women are not supposed to stay within four walls and should have their own dreams and aspirations. It shows examples of commendable women defying all odds and making a name for themselves. Akira shows how a girl can also be physically strong and fight whenever necessary. “Lipstick Under My Burkha” shows the lives of four women who intertwine as their secrets are revealed. It talks about the difficulties a woman faces in society as she is often looked down upon. The aim of this research is to highlight some issues related to the misrepresentation of women's identities in Bollywood films, to highlight and understand how steps are being taken in recent times to address this issue. Through this project, we wish to research how a woman's identity has been represented over the years. We want to do this with the help of a few films chosen after a lot of thought and study. These films show how a woman's identity was portrayed over a 10-year period between 2007 and 2017. As students, we chose this topic as it caught our attention and as women in society , we chose this topic because we can sympathize with the incidents and women shown in these films. We chose this topic to raise awareness among the general public that this misrepresentation of women will not be tolerated and must stop immediately. Salman Khan's blockbuster is blatantly flawed. After the death of her father, Rajjo (Sonakshi Sinha) is forcibly dragged from her home by a local policeman who is in love with her. In the film, this is presented as a romantic gesture, simply emphasizing that a woman has no say. The film is very flawed with dialogues like “Pyar se de rahe hai, rakh lo, varna thappad maarke bhi de sakte hai”. This is a blatant and violent threat and Salman Khan acts like he is doing Rajjo a favor by speaking kindly to him. In this film, the feeling of fear has been conveniently confused with the feeling of love. Rajjo, the female protagonist, is the daughter of a drunkard who is visibly petrified of the male protagonist, police officer Chulbul Pandey. Chulbul Pandey files a rape case against the father just to drag him to the office and get a chance to talk to 'Rajjo'. He then emotionally blackmails this drunken father into committing suicide so that 'Chulbul Pandey' can marry his daughter, 'Rajjo'. After his deathSuddenly, he shows up at the funeral and abruptly asks all the mourners to leave. He then forces "Rajjo" to pack his bags and go live with him as he takes her to a "better life". Not once was Sonakshi asked what she wanted to do with her life. According to Bollywood logic, the less a woman spoke, the better. Dabangg was a sexist film in which light-skinned 'Rajjo' barely said a word, had an angry look on his face at all times and fell in love with 'Chulbul Pandey' without knowing his name and based on a few monosyllabic encounters . Bollywood has an extraordinary ability to seize the opportunity to demean women in every way possible and show that women are bad. In an unnecessarily shameful dialogue, 'Chulbul Pandey' says, "Kameeni se yaad aaya, Tiwari ji, bhabhiji kaisi hai?" In the movie Pink (2016), the producers portrayed how a woman faces problems in society because she is herself. Her morality is judged by whether she is a virgin or not and if she hangs out with more than one boy she is labeled a "slut". In this beautifully shot film, the director has beautifully depicted how three independent women fight to get justice after being wronged. The film begins with three rich men rushing to the hospital, one of them bleeding profusely. They do not file a complaint with the police. At the same time, three girls, Falak, Minal and Andrea, return home in shock. Minal goes for a run every morning when she is observed by Amitabh Bachchan, who plays the role of an old retired lawyer. He soon approaches them and takes up their cause. As he predicted, the girls begin to receive threats. This leads to Andrea being hunted and Falak losing her job. When they chose to file a police report, they were dissuaded by local police officers because they knew the boys were well-connected. However, Minal files a report against the three boys. The next day, Minal is kidnapped by Rajveer's (one of the three boys) friends during her morning run. Deepak (Amitabh Bachchan), witnesses the incident but finds himself unable to help her in the heat of the moment even as he notes down the details of the car. Minal is threatened to stop filing complaints, is blackmailed and attacked in a moving car. A few days later, Minal is arrested by the police from her apartment, based on a complaint from Rajveer calling the women prostitutes and accusing Minal of attempted murder. According to Rajveer's story, Rajveer and his friends meet Minal and her friends at a rock concert. They then invite the women to dinner at a hotel, where they consume alcohol. Women seduce men, have intimate relationships and then demand money, all signs that they are prostitutes. Rajveer refuses to pay the money and angry Minal hits him on the head with a bottle and bolts. Prashant's argument focuses on the bad moral character of women. He pushes the idea that the women's friendly attitude, the fact that they attended a rock concert, and the fact that they had drinks with the men indicate that they were prostitutes. Prashant attacks the fact that Minal has family in Delhi but chooses to live alone, Falak is in a relationship with an older man and Andrea moved to the city from northeast India. Contrary to this, Minal and her friends claim that the men tried to sexually assault them. Minal alleges that Rajveer tried to rape her and she attacked him with the bottle in self-defense. The scene revolves around the fact that by showing a girl to have loose morals, it is acceptable to rape her. Deepak(Amitabh Bachchan) points out that even after marriage, a woman has the right to say no to sex. If a man forces her anyway, it is considered marital rape. Even if a woman is a sex worker, she has the right to say no. A girl's clothes, her nature, the time she comes home, or her behavior do not make her a prostitute. Traditional views of society are criticized, whereby women are stereotyped as prostitutes if they come home late, leave home, want to be independent, drink, date boys, etc., but none of these ideas applies to men. The film ends with Rajveer becoming furious and confessing that the girls "got what they deserved". At the end, Deepak mentions that no meant no and it didn't require any further explanation. This film shows that a woman's word has value and that consent is necessary before engaging in sexual activities. A typical Indian woman embarks on an adventure to travel the world. Weddings in India are considered to be the biggest and most important turning point in a woman's life. They are celebrated with joy and grandeur and the breakdown of a marriage is considered a curse. We often see men choosing their ideal “future wife”. They experiment with several women and then choose the one who best matches their criteria for an ideal wife. These criteria change from time to time. At some point they need the intelligent and independent woman in their life and at other times they need the typical sanskaari wife. This change in criteria is exactly what happens in the movie Queen, where the boy chooses to get rid of his fiancée a day before their wedding simply because she doesn't fit "his idea" of an ideal life partner . As the girl and her family feel devastated, she decides that the end of the marriage is not the end of her life and that there is more to life than her fiancé and she decides to take a solo trip or rather a solo honeymoon. She transforms beautifully from the shy small town girl to a strong, independent and fearless woman. It is often believed that after a broken marriage, a girl often looks for love and sympathy, but here she wants none of that. She wants freedom, she wants respect and more than that, she wants to live her life to the fullest. During her journey, she meets new people, explores new places, understands the different mindsets of people around the world and realizes that life is more about experiences and joy and not about being at home. living up to her husband's expectations. The film shows the transformation of a typical small-town girl whose life begins and ends by meeting the expectations of others into an independent and vivacious girl who understands the true value of her life which is to live every moment with courage and never looking back. and start again. As she changes, the same fiancé who abandoned her because she was naive begs her to come back to him because now she is powerful and independent. For men, it's kind of a joke. They are playing with a woman's life. They decide his entry and exit into their lives based on their changing preferences and believe that women will eventually listen to them because they now have no choice but to come to them. The need of the hour is to make women understand that life is not about finding a perfect man or rather being found by a man and living up to his expectations, but rather about leading an independent life where they are valued and respected for what they really are. are. Everyone has the,.