The genre convention that is clearly detectable from the beginning of the film is that there are clearly alternative double extremes. It is here that you can clearly recognize the great characters in the film, but also see the evil individuals. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get the original essay In Hot Fuzz, it's clear from the start that Nicholas Angel, the film's fundamental cop, is a protagonist. This is clear from the attention he pays to his business and, furthermore, the attention he pays to London. This is evident when his supervisor attempts to move him from London to Sandford. He is reluctant to move but concludes that it is better for his business in case he is not needed or wanted in London. When he touches Sandford it is clear that he recognizes the rivals. The two "Andies" (Wainwright and Cartwright) seem like exceptionally suspicious characters when we first meet them. Throughout the film, they become more and more relaxed, almost too casual, and it suggests to us that they don't really care about what they're doing. This is also the case throughout the film with the other main characters in the film, for example the Chief Inspector, the Porters and Simon Skinner. The next genre convention of action films that are followed in Hot Fuzz is the fat that there are murders, and a ton of them. Without murders in an action film, the plot of the film would be destroyed and since it is usually about the action of the basic heroes, maybe a few heroes to figure out the riddle of "Who did ? This is precisely the case in Hot Fuzz. Nicholas Angel, the lead cop as explained above, is trying to figure out which individual(s) in the Sandford residential community are avoiding the execution of pure individuals who had all the characteristics of being friends with all the world when it initially hit the city. As viewers, we speculate throughout the film about the identity of the executioner and this is another tradition of film writing. Most of the time you don't find out who the executioner is until the end of the film. In this case, you get answers about seventy-five percent of the way through the movie who the executioners were, because all that's left of the movie is where Nicholas Angel tries to get every single one of them. The last little genre convention that is followed in Hot Fuzz is an antiquated automatic chase. This is a tradition of action films because it happens in a large part of them and it is typically the hero, in this situation Nicholas Angel, pursuing the adversary who in this situation was Simon Skinner and the chief inspector. Car chases in action films should set the pace of the film and keep individuals on the edge of their seats thinking "Will they understand them?" This is the case with Hot Fuzz. Being an action film, Hot Fuzz is decently masculine, but the drama component opens the door to make it engaging both sexual orientations. Hot Fuzz is fundamentally aimed at a young and adult audience, considering the lifestyle of an average worker, for example a 9-5 job, who enjoys going out a few evenings for drinks, etc. Basically white collar lower class. As the BFI's factual directory indicates, people aged 15 to 24 made up 30.8% of cinema gatherings in 2015. For those aged 25 to 34, this proportion was around 15.9%. As far as reality is about gender when it comes to comedy or satirical drama activities, one case I use is Inbetweeners 2 which was 53% male and 47% female...