The exchange of ideas between Bauhaus and other art movements during its evolutionThis essay begins with the origin and birth of art movements and architecture from the beginning of the 20th century. These particular movements not only affected painting, but also had a significant effect on architecture, theater, cinema and photography. "What about the reality of the everyday world and the reality of painting? They are not the same realities. What is this creative thing? that you have had difficulty obtaining and where does it come from What reference or value does it have, apart from the painting itself? » Ad Reinhardt, during a group discussion at Studio 35, in 1950. In his book The Expressionists, Wolf-Dieter Dube explains The Abstract Expressionism became important in the early 20th century, led by Wassily Kandinsky, Kazimir Malevich and Piet Mondrian (fig1.0). Although the artists worked individually, they were united by the belief that abstract painting was capable of achieving success. evoking a spiritual experience, Kandinsky, a leading figure of expressionism, began painting highly layered compositions of free floating lines in 1911. His aim was to connect visual form with the properties of music. various schools; Kandinsky joined the Bauhaus school in Weimar, and this era later saw the rise of Bauhaus, style De Stijl, with Le Corbusier's journal of purism the Esprit Nouveau.Fig1.0: Cross-line of Wassily Kandinsky 1923.http://www. abstract-art.com/abstraction/l2_grnfthrs_fldr/g029b_kandinsky_tr_ln.htmlIt would be difficult to progress further without taking into account the immense and diverse cultural and historical events that inevitably led to the birth of the early 20th...... middle of paper . .....references, once this was achieved, the Bauhaus moved away from its expressionist form and adopted the modern ideas and form of De Stijl, Constructivism and Purism.BibliographyBooks• Hans.LCJaffe (1970). De Stijl. London: Thames and Hudson. • Benedikt Taschen (1990). Bauhaus 1919-1933. Cologne: Bauhaus-Archiv. • Carsten-Peter Warncke (1994). The ideal as Art. Cologne: Benedikt Taschen. • George Rickey (1995). constructivism. New York: George Braziller. • Herbert Bayer (1975). Bauhaus 1919-1928. London: Secker & Warburg. • Kenneth Frampton (2007). Modern architecture. London: Thames and Hudson. • Wolf-Dietar Dube (1972). The Expressionists. London: Thames and Hudson.Internet• http://www.artmovements.co.uk/bauhaus.htm (accessed March 7, 2011 at 11:35 p.m.)• http://bauhaus.com/ (accessed April 4, 2011, 4 p.m.05)