An auteur is someone who dominates the process of making a film to the point that the director of a film can be called the auteur or author of the film. This means that the director will bring his own twist or personal touch to the film since he is primarily responsible for the creation of the film. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”?Get an Original EssayIn my opinion, François Truffaut and Alfred Hitchcock should be considered “auteurs” because of their cinematic style and dominance in the cinema. As I have observed throughout this semester, directors have demonstrated many techniques and styles that help distinguish their films from one another. Some tools I learned about in previous units include lighting, camera angles, focal lengths, character positioning and many others which led me to conclude that these directors should be considered as auteurists . In the films "Psycho" and "400 Blows" directed by Truffaut and Hitchcock, they are known for using techniques such as staging and specific camera angles which are the director's way of controlling the scenes throughout the film, which can sometimes help you predict what might happen next, persuade the viewer to think a certain way, or even display a particular mood of the film with lighting and camera focal lengths to really focus. on a particular person or object An example of this would be in the film "400 Blows", where the camera is high in the sky looking down at everyone walking down the street. The camera is directly aimed and positioned to compel us. looking at the store front and people crossing the street The specific characteristics of this scene are the length of the clip, the size of the camera crew and the positioning of the image of the scene. spectator watching students cross the street and walk back up the street. In the preceding shots, the camera closely monitors the group of students and follows them closely until the ending wide shot. The only thing that also stood out to me about this film was the fact that it wasn't in color. Color makes it a little easier for us to see harsh shadows and dramatic lighting whereas it is a little harder to identify in film noir. and white film. In Hitchcock's film "Psycho", there are many suspenseful scenes in which Alfred really keeps the audience on their feet and many scenes are very suspenseful. Camera placement and lighting determine how the audience will look and feel about a scene. A notable scene from "Psycho" is where we see Marion surrounded by soft light, with a round painting on the wall and the overall shot is inviting, while Norman is sitting on the chair in the corner with a light raw on his body reflecting on the wall and the hard square frames in the background. They are in the same room, but the shots give the viewer a different impression of each. Keep in mind: this is just a sample. Get a personalized article from our expert writers now. Get a Personalized Essay The lighting is also an important thing, it has a soft light coming from the desk lamp and it has a light shining directly on it with a dark reflection on the wall and the blacks are noticeably deeper. Hitchcock also uses very direct camera angles to introduce a subject. For example, Marion is framed with a photo at head level with soft lighting, and Norman is photographed further back and he.,, 25(1), 112-122.