The Love Song is a poem about a man whose conscious mind reveals itself. Eliot introduces Prufrock, faced with a dilemma when it comes to proposing love, but limited by his fear of rejection. His personality is described as pessimistic and he believes that even if he makes the love proposal, it is certain that the lady will reject him in the end and therefore there is no need to expose himself to such a risk . Eliot structures the poem to begin as a drift to a place that is not defined, then to later show that the journey takes place towards Prufrock's conscious mind to discover his dilemma. Prufrock thought about his situation for a long time until he worried that he had taken too long to think about it. Eliot does this in order to highlight Prufrock's panicked and nervous behavior to the reader. As the poem progresses, Eliot formats his work to uncover Prufrock's state of mind and dilemma and makes him discover what the real problem he is facing is, namely himself. Prufrock realizes that the main challenge is not the fear of rejection but his negative mindset towards himself which makes him unable to propose. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get the original essay Eliot emphasizes Pruffrock's indecision and despair using infrared through prayer and tears. When a person cries over something, it means the matter is important. He doing this shows how the character is in great desire for beauty but is not ready to reveal his mind to the lady because he feels that no matter how he tries, he will be rejected. Eliot asks Prufrock to seek divine intervention. In doing so, he further highlights Prufrock's problem to the reader, as generally prayers tend to contain only questions of forgiveness or importance. Eliot uses this idea to express how important this dilemma is to Prufrock. The phrase “Though I have seen my head brought in on a platter.” Eliot relates Pruffock's story to that of the biblical John the Baptist who was beheaded. The line ties into Prufrock's reference to prayer and fasting, Prufrock believes he will still lose even if he prays in the same way that John the Baptist was beheaded despite seeking help from Jesus. Eliot has created a sort of dilemma within the dilemma as he asks Prufrock to turn to religion for consultation and then questions the idea of ​​prayer and religion. The aim is to highlight Pruffrock's chaotic thinking. He then uses the words "Eternal Footman". Eliot begins the word Footman with a capital letter indicating that Prufrock has accepted his condition of mortality and he seems to believe that his mortality will not end soon. Eliot makes it clear how weak Prufrock is and is an inference of how low he sees himself. He concludes this stanza by indicating that he was afraid of making decisions and seems to blame it on his mortality and because he is an eternal footman, his fear will persist. Eliot concluded the stanza in such a way that it implies that Prufrock's dilemma will continue without any resolution. In the next paragraph, Eliot asks Prufrock to consider whether or not it will be worth continuing to linger in his mind. His dilemma concerns which is more painful, the pain of rejection or the pain of not being able to ask for what you want. Eliot asks Prufrock to mask his pain through the depiction of biting everything off with a smile and pretending everything is okay. “Having squeezed the universe into a ball to make it roll towards aoverwhelming question” suggests that he now seems to have one goal in his life, to ask for love, and that all aspects of his life are tied to this one goal. Eliot, makes Prufrock's dilemma the only thing that concerns him, so he removed the question from this life, so he has no other purpose in life, he restricts his way of thinking and living. In the next line, he compares himself with the biblical Lazarus who died and came back to life and tells the living what death feels like. Eliot uses this hell as a metaphor for rejection so that the reader can see how Pruffrock feels when he believes that approaching him to tell him how he feels, and then being rejected, is tantamount to committing suicide and resurrecting only to tell the people what it feels like to die. This means that rejection is like dying. Eliot uses indecision as Prufrock's safe strategy to protect himself from injury, but again he feels sad to find himself in this situation, as indicated by the repetition of the phrase "And does that in would it be worth it? » Eliot's Prufrock to premeditate the lady's response as a misinterpretation: "That's not all, that's not at all what I meant. » pointing out that Pruffrock believes that if he asked her the question, she would feel offended. Eliot points this out in order to show the reader how Prufrock thinks about simple scenarios. Eliot highlights Prufrock's insecurities and never allows him to resolve how he feels, because it is impossible for him to tell him exactly what he feels because it is a nervous situation that he must overcome. Nevertheless, Eliot portrays him as fixed in his mind and destined for rejection and overall as a weak character. Eliot uses the time to examine Pruffrock's mind during his dilemma. "I'm growing...I'm growing..." indicates that a lot of time has passed and Prufrock has not been able to make a decision; that is why he was separated from the beauty he desired because of his fears. The lines "Do I dare eat a peach" are different from the previous line which was "Do I dare" indicating that the time to make a decision is up, and Prufrock is no longer in the desire for this beauty since he accepted this. it was predestined that way. Eliot points out that over time, Pruffrock has been made to question everything he does since he has never been faced with the dilemma of speaking to the lady. Eliot therefore presents him as a victim of circumstances and broken since he questions himself more than the decision and the manner. he moves is somewhat delusional since he never makes up his mind. Eliot signifies this illusion through the song of the sirens which trigger the memories of how much he was in love. Mermaids are mythical creatures, half-human, half-fish, beautiful and evil. Eliot asks Prufrock to imagine women like this to show the reader that Prufrock sees a duality in women, but this image he sees is interpreted as false since he connects her to a mythical creature. “I don’t think they (the mermaids) will sing to me.” This indicates that Prufrock has accepted life as it is and that siren songs that sound like women talking is something that will never happen to someone like him. Eliot, in the last three lines, uses the word “we” which must refer to the “you and I” of the first paragraph. By connecting “we” and “you and me,” it becomes clear that they are referring to one person and that is Prufrock. The journey was a journey in his mind and the phrase "we lingered in the sea chamber" is used to indicate that the thoughts in his conscious mind remained for a long time. Eliot asks him to completely forget these memories by drowning them as indicated in the very.