Cabaret has had a huge impact on the daily reality of Berlin life. Its history dates back to the 16th century in Paris. According to Alan Lareau (1991), Ernst von Wolzogen opened the first German cabaret, the Buntes Theater or "Colored Theater" in Berlin in 1901. At that time, his theater was just an elegantly designed theater with rows of regular seats and a stage with an orchestra pit maintaining a distance between the performers and the audience. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get the original essay Cabaret began to become very popular during World War II. The Germans tried to find a place where they could escape the harsh and disastrous war life by entertaining themselves at the Cabaret. It’s a place to “relieve stress” for Berliners after a tiring day at work. Cabaret is not only a simple form of entertainment, it is also a culture that Germans embrace and practice. It is not only a symbol of music or art, it also serves as a meeting place for talented writers and artists, such as that of Otto Julius Bierbaum (June 28, 1865 – February 1, 1910), famous German writer . , according to Lisa's book, Cabaret, Cabaret had a huge impact on gender, politics, fashion and race. So, based on all these profound impacts caused by Cabaret, it is undeniable that this form of culture has shaped the heart of Berlin and the daily lives of Berliners. The song is a type of popular song played by French cafés and bistros in the mid-19th century. The song is a lyric-driven form of French song. Some of the famous songs from Chanson are Édith Piaf – “La Vie En Rose” (1946), Rina Ketty – “J'attendrai” (1938) and Charles Trenet – “La Mer” (1946). According to Lisa, in her book Le cabaret, in addition to its entertainment character, song played a very important role in communication. At that time, newspapers were heavily controlled by the government, apparatus and finances, so it was difficult to obtain reliable information from them. The song therefore plays a vital role in conveying messages because it depends on the government, the apparatus and finances. People started recording their daily stories and broadcasting them in the form of voices. The song is also used as a democratic tool to express anger and discontent towards the political party. A famous song called “Expulsion” written by Maurice Mac-Nab is a great example of this. This song was written during the revolutionary period of the Third French Republic (1870-1940). This song was written around the time of the passing of the law in June 1886. The main purpose of this song is to raise awareness about the exploitative leaders and decadent policies of that era. An example of the words will be I'm going to tell you the truth: The princes are capitalized And the worker is exploited, That's the death of the socialist. Ah! if we listened to Basly, Which translates as: I'll tell you the truth: The principle is capitalization And the worker is exploited, It's the death of socialiss. Another interesting form of Cabaret in the delivery of messages vocals, it is Satire. Based on the book by Jelavich Peter, satire is also a form of vehicle for conveying political messages, with the presenter making jokes about political events. However, at a later stage satire became abundant in order to avoid conflict with the state. According to a diary written by Robrecht Herfkens, “A Smile and a Tear” is the satire that brings the Dutch cabaret show together. He mentions that satirefocuses on the negative aspects of society. It addresses problems and issues that have a negative impact on society. According to Robrecht, there are two types of satire, Horatian satire and Juvenalian satire. Horatian satire is characterized more by amusing, playful, gentle and light humor. In contrast, Juvenalian satire is often pessimistic, sarcastic, unpleasant and with less emphasis on humor. In the Wilhelmina and Weimar era, many artists made jokes about political parties. According to Sheri Berman, there are several well-known satires, among them Kurt Tucholsky's classic poem "Das Mitglied" (The Limb). Tucholsky is one of the most important publicists of the Weimar Republic, he is a satirist, cabaret author, songwriter. , novelist, poet and critic. Based on the book Berlin Cabaret by Peter Jelavich, the political satire of the time, is more on the side of satire than politics, and has become a subgenre of the cabaret entertainment industry. A song which written by Kurt Tucholsky, was sung by one of Berlin's most famous cabaret artists between the wars. One of the songs that described the cynical approval of the proliferation of profiteers during the war and post-war months. The song did indeed contain information against Noske. By December 1919, this song had become de rigeur (trend) among satirists to attack the Social Democratic Minister of Defense who repeatedly called for troops to suppress workers' demonstrations. According to Rebecca Mullins' 2013 report, the loss of the Nazis transformed cabaret into a venue for political satire, it can be exemplified today as the modern comedy club. This trend toward political satire emerged as the main focus of cabaret during this era. However, the information presented by this “Comedy Club” must meet the criteria below:1. well versed in literature2. a master of improvisation3. well informed of current events4. a forecaster of what might happen tomorrow. At one point, this type of cabaret became so popular that it became part of the entertainment program. The ability to joke about politics using satire was pretty much one of the most popular trends in Weimar cabaret. Bertolt Brecht, the innovative and highly influential playwright, director and performance theorist, used “Spass”, meaning pleasure in German, to send political and social messages in each of his plays. Brecht's main goal is to encourage the public to adapt to social changes. and live their lives. He has discovered that the best way to accomplish his mission is to convey these sociopolitical messages in a “fun” way. Traditional cabaret performance is a form of theatrical entertainment consisting of music, singing, dancing, recitation or drama. The whole show is rather boring, as there isn't much huge interaction between the audience and the performers. As can be seen in most traditional cabaret shows, they were performed by actors, dancers and singers who perform what they need. perform on stage, while the audience just sits and watches. This phenomenon was observed by the futurist Filippo Tommaso Marinetti, who would reinvent the way cabaret presented to the public, leading to the birth of the Variety Theater. The main objective of this concept is to involve the audience as much as possible in each cabaret show. This can be done by adding elements such as comic effects, erotic stimulation or imaginative amazement into the show. For example, some of the ideas.