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Essay / How Mary Shelley Created Frankenstein
Different authors have different intentions when writing their books. While some write to expand the literature and demonstrate literal techniques, others write to communicate a specific issue, directly or indirectly. In a way, therefore, even if writing is an art, it is more or less a source of communication. By communicating, authors can reveal a lot about someone, a specific aspect, or even themselves through a particular piece of literature. The writer Mary Shelley confirms these allegations with her novel Frankenstein. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get the original essayMary Shelley was one of the most famous writers of the 18th century. She wrote and first published her book Frankenstein in 1831. Unfortunately, the book was not accepted by many at that time and many people showed a lot of interest in the book in the 20th century. Although the book Frankenstein expresses Mary Shelley's emotions as a monster, there are also many parallels between Mary Shelley's life and what the book is about. Mary's life was not so pleasant since she was born. He carried so many misfortunes that would remain private without his ability to write. However, she chooses to reveal what her life was made of and her emotional relationship to that life to Frankenstein. The book begins at a place called Geneva (Melloy np). It is in this precise place that Mary Shelley presents one of the main characters Victor Frankenstein who poses in the novel as her husband. The introduction symbolically marks the beginning of the book Frankenstein. Studies and interviews have indicated that Geneva was a place where Mary Shelley lived with her husband and that on the shore of a particular lake located where her husband dared Mary Shelley with three other writers to tell various stories of ghosts (Shelley np). From there, she was inspired to write a horror novel. Without her husband's words about telling a ghost story that day on the shores of Lake Geneva, it would be difficult for Mary Shelley to write a horror novel, much less one with a departure from Geneva where she presents her husband. in the novel, Mary "kills" Victor's mother. She explains the death by illnesses parallel to the time in which she lived. When Mary Shelley was alive, most people were killed by disease and the hospital's failure to prevent it. For example, his mother also died while giving birth to him, because there was little the doctors could have done. Additionally, throughout her life, due to many losses, Mary lived trying to fit into the lives of others. In the novel, the monster also tries to fit into other people's lives, but people are not kind enough to let her fit into their niche. The same thing happens to her husband who, in the novel, chases the monster out of hatred, while in real life he pursues Mary Shelley out of love (Hogseche 549). Given this, it is acceptable to assume that Mary is to some extent mirroring her life in the monster's life. William is an important character in the novel. Although described as Victor's brother, his character as set by Mary in the story reveals that his role was instrumental in Mary's real life. To begin with, Mary names Victor's brother William, which is the same name as her real father. Moreover, William is also the name of Mary Shelley's son in reality. The character of Victor's brother William in the novel is enjoyable and worth admiring, considering how Frankenstein praises him, from his appearance to hisyoung boy character. Perhaps this is how Mary Shelley viewed her son. As a calm, charming and defenseless person towards monsters, no matter how harsh the monsters are towards him. Mary indirectly introduces her son's life into the novel, perhaps because he was an essential part of her life. He cannot therefore fail to be part of the novel telling his life. Mary Shelley's description of William tells the reader about her son's facial description (Petsche 99). In this particular scene, many parallels can be drawn with Mary Shelley's life regarding her son. Another important scene in the novel in which Mary Shelley expresses her life as a child and an adult is the scene demonstrating Victor's Frankenstein-like childhood and adulthood. Initially, it was clear that Victor's mother had succumbed to death due to the incapacity of her immune system and the doctor's inability to treat the illness she was suffering from. As a result, Victor Frankenstein had to be raised by his father. In a way, Mary Shelley was trying to reflect her childhood and adulthood. The reason for this is that in reality, Mary's mother died while giving birth to her due to various complications (Petsche 113). Influenced by this, his father had no choice but to raise him alone. However, four years later, things were different when it came to parenting. Mary Shelley's father remarried and the wife helped the father care for Mary Shelley. Additionally, Mary's stepmother had two children who were not related by blood to Mary's father or Mary herself. Consequently, Mary Shelley, following her remarriage, had two half-sisters. In the novel, the reader discovers almost the same scenario through the character Mary Jane Claremont. The character of Mary in the novel, in addition to representing Mary Shelley's real name, also represented a bit of Mary Shelley's life. She does this when she brings two children into the Frankenstein family. The two children named Justin Moritz and Elizabeth Lavenza were different half-sisters, and in reality, Mary Shelley also had two half-sisters (Gomez 362). The final depiction of Mary's life through the books was through the escape scene. From the scene, we learn that Victor got married relatively earlier than expected. Although Victor is portrayed as the one who engaged in early marriage, the scene indirectly focused on Mary Shelley's marriage. The reason is that through her bibliographies we learn that Mary Frankenstein married at the age of 17, influenced by eloping with her husband where they left and returned after about a few years. In the same act there is ironic foreshadowing that reflects the life of Marie Shelley. In the act, the victor's wife is killed by the monster, but in reality, just after the book was published, Mary's husband was taken from her (Gomez 365). Finally, Godwin's introduction into Wollstonecraft's life made Mary Shelley depressed and lonely, as Mrs. Godwin favored her children more. In real life, Mary's same loneliness may be due to the fact that her stepsisters have become more favored by her stepmother, unlike her. So she ended up hating her mother-in-law as she really did. Throughout the analysis, it is clear that the novel reflects the life of Mary Shelley. To some extent she represented the monster in the novel, but only partially since different characters like Victor also represent the monster. However, it is necessary to prove how she expressed her emotions through her monster character. Through the monster character, it is evident that Mary Shelley expresses her hatred, loneliness, emotions of depression and isolation. She does this through various acts. In..