Table of contentsStudy problem:Methodology:Film analysis:ConclusionStudy problem:In order to determine the connotation and implications of the image used in the treatment of the events of the liberation war, we will pose the following main problem: what are the connotations and implicit dimensions of the image used in the Algerian and French documentaries which dealt with the cause of the Algerian liberation war? Through the construction of the research problem, it is possible to identify questions that contribute to dismantling the research problem, which is as follows:Say no to plagiarism. Get a tailor-made essay on “Why violent video games should not be banned”?Get an original essayWhat are the meanings and issues of the events of the Liberation War depicted through images in these films?What is the position or the role of the image in the struggle for memory between the two countries? How were the scenes of war and genocides filmed through the cinematographic archives used in these films? What is the ideological discourse that used the image carrier in these films? How was the media treatment with the events of the revolution and what were the subjects which had the greatest part in the treatment? Methodology: The study approach is of great importance in the social research and in all scientific research because it seeks through its tools to select all the elements of the phenomenon studied. and processing it in a way that leads to the extraction of relationships and connections between them. Film studies and studies related to audiovisual language such as television, as well as specialized research in film criticism, a large number of approaches and methods, including the "semiological approach" and content analysis methodology , and other methods that seek to interpret, analyze and decode messages produced by the media, which is interested in producing means in a specific format carrying implicit meanings of latent and different messages neglected by the recipient. Which is in fact linked to certain internal codes in the formation of the environment from which the recipient comes. In order to answer the problem, this study will rely on research methodology to use the approach of “Semiological Analysis”, which will allow us to look into the hidden and implicit connotations of the film's messages, which seeks to reveal “the importance of the “image function” as a media tool with particular semantic dimensions. Restructure meanings and better use them to understand media messages of all kinds. It is based on the study of the internal relationships of the elements of the discourse based on the "qualitative analysis", implicit, of the information system of the search for possible real indications on the content of the messages, and according to the French critic “Ronald Barthes”: “Semiological analysis is a form of in-depth research into the deeper levels of media messages, in which the researcher is committed to neutrality towards the message, and to identifying psychological, social and cultural aspects that will help to support the analysis" and continued saying that "Semiological analysis is immersed in the content of the message and media discourses and seeks to achieve a clear analysis, it is an inductive qualitative analysis of the message with inner content and latent. At the beginning of the 1960s, “Roland Barthes”, a French literary theorist, philosopher, linguist, critic and semiotician, emphasized that literary texts were composed of several codes. More.