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Essay / The History of the TV Sitcom a fire in a cave at dinner time, with a captive audience, exhausted from a long day of hunting, fishing, running from dinosaurs and other beasts - you know, a typical work day. Ugg, being the most lucid, or perhaps simply the best at an early form of charades, regaled the crowd who feasted on a banquet of brontasaur burgers accompanied by various assorted fruits and roots with his latest tale about how Glimkf came out of two caves. caught cheating on his wife and has to clean the house for the next month. This was perhaps accompanied by some charcoal drawings on the cave walls to further emphasize: “Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get the original essay Fast forward several millennia, television situation comedy as the modern world has known it, was the offspring of the golden age of radio, back when people had to use their imaginations to portray scenes, depending on the voice actor's convincing rate, as well as appropriate sound effects to fill in the gaps. But as television evolved, most audiences became accustomed to accepting whatever was broadcast (the gradual dumbing down of the many rather than the few... don't worry). Don't be offended, now! Someone other than this author invented the expression "boob tube"). Not that all early TV movies are mind-numbing nonsense; far from it. Many of these early shows shone with originality, wit and heartfelt messages. But as people started working more, networks began to expand, and with the advent of cable television, sitcoms unfortunately slowly foundered in the West, for the most part. There are still a few shiny rough diamonds that come up from time to time. British comedies, in particular, are almost always full of wit and rapid-fire dialogue. But as viewers, most people have become accustomed to accepting mediocre, mundane shows as "as good as it gets." Speaking of British comedy, Pinwright's Progress was first broadcast on the BBC from 1946 to 1947, and thus could be considered the flagship of the situation comedy, in the United States, producer/director William Asher is often considered the father of the genre. His resume is extensive; It all started with Our Miss Brooks, starring Eve Arden, from 1952 to 1956. From there, Asher became the lead director of the hit classic I Love Lucy, and after that he was an integral part of more than two dozen of films. hit shows. These included The Patty Duke Show, Bewitched and several others. Interestingly, Asher was married to Bewitched star Elizabeth Montgomery for ten years (1963 to 1973). Their marriage began a year before Bewitched initially aired and ended a year after the show ended its run. Could this be blamed on the cost of fame? We'll never know, because they've never been on Family Feud. But game shows are a whole different animal. Television sitcoms have become a long-standing category of television entertainment, as evidenced by the immense popularity of long-running shows such as The Mary Tyler Moore Show, Cheers, Seinfeld, Cosby, Roseanne, Friends, Frasier. , Will & Grace and, more recently, The Office and Scrubs. Particularly in times of unrest, there is..
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