Elias Curran-MooreSay no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”?Get the original essayFreudian Explanation of the Purpose of the Narrator's Dreams in “Balzac and the Little Chinese Seamstress”Various Theories About Why We Dream Will from practical applications like facilitating encoding memories for long-term storage or solving problems abstractly, to activation synthesis theory, according to which dreams have no purpose or meaning and are the result of random activity of the pons and brainstem. For anyone unfamiliar with Sigmund Freud, simply put, his theory emphasized dreams that reveal our subconscious thoughts and innermost desires. According to Freud, dreams have both manifest content, the retained scenario, and latent content, the hidden meaning. In this theory, dreams are essential to understanding inner conflicts. This theory can be clearly understood in “Balzac,” as it easily applies to the unnamed central protagonist. Especially since the Narrator is confined to a small, isolated area with few connections to the outside world and few outlets for his desires and true inclinations on the mountain amidst his oppressive rehabilitation, the Narrator works on these impulses experiencing extremely vivid dreams. In Dai Sijie's Balzac and the Little Chinese Seamstress, the narrator's honest, harsh, and unwanted thoughts can unfold happily in dreams. The narrator is constantly torn between his feelings of loyalty to his best friend, Luo, and his feelings for the girl. Luo says he likes it. This inner tug of war is something that is simply impossible to express in reality without creating some sort of emotional fallout or scene, which would likely destroy the Narrator's long-standing friendship and would not be tolerated by the strict regime in place in the territory. mountain. To compensate for this, the Narrator's subconscious formulates fantastic worlds for him. One of the narrator's dreams involved his best friend "...dreaming that Luo entrusted me with the master key." » (Sijie 91), a device essential to the success of their mission to steal priceless banned Western novels. . His dream projects him into the middle of another utopian fairy tale world. Luo's complete trust and approval was granted to him through this master key, showing that the dream gives him one of his deepest desires, Lou's complete and utter trust and respect. In the dream, the mission is successful “As a last resort, I tried the master key again, and suddenly, with a sharp click, the padlock gave way. » (92) revealing how these dreams are obviously the narrator's lust, as the mission only goes perfectly after his own intervention. Dreams also show the Narrator's greatest sources of expression of hidden desires, which we see when the narrator shows "the villagers shouting and singing revolutionary songs" (91). Unable to reveal his desire for new knowledge in the midst of an oppressive re-education not allowing any Western ideas, the narrator's actual wishes of the celebration are immediately shown in his dream. The narrator's conscious attempts to concern himself with events in the village, while the narrator's true desire is to explore elsewhere in the world, he wants to explore Western ideas, or in this case, direct access to foreign books from Four- Eye, the action taken in the dream, and later in reality when it becomes feasible. Dreams are the direct outlet of his..