Many wonder how people value material goods. Well, what many don't know is how much material consumption depends on postmodern beliefs and cultures. Material consumption is found to be the main factor in the beliefs and even practices of modern societies. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get an original essayCultural industries have become important to landscapes and, above all, places. Cultural industries include many factors. Advertising, communication media; pop entertainment all play an important role in an industry. When one chooses to advertise a product, place or thing, it stimulates consumer demand and helps in meaning based on goods. Advertising is now known as a “key element” of placemaking. It teaches us a role in many things and, surprisingly, even in the simplest things. For example, authors Knox and Marathon claim that “it teaches people how to dress themselves” and even how to furnish a house! Products are advertised in different ways. These advertisements influence summers not only to buy a product but also teach them and provide them with information about many different places. If we go back in time, advertisements of the time were based on efficiency and economy. Now, if we take a closer look at how they are advertised, we see that they are associated more with lifestyle than utility. These ads should also announce a theme to attract the attention of viewers. Images of places interact with global food. As noted in the book, contemporary cultures also rely more on visual consumption. Visual consumption consists of the purchase of images and different experiences of places. Visual consumption is usually seen in magazines, television shows and via the web. Landscapes are important visual elements and are now considered “important”. Thus, to the question of how places became objects of consumption, advertisements now highlight the different places and the available land which now make these places objects of consumption. Restaurants are also considered cultural sites because of the dining experience they offer. For example, the status of the customers (how the customer feels) the design of the restaurant which was of course adopted from the local architecture and the diversity of the customer base. Geographer David Harvey coined the term “degenerative utopias.” According to Harvey, contemporary landscapes contain an increasing number of contexts of global capitalism. This means that as much contemporary material as there is, there is also cultural heritage. The numbers remain the same and continue to slowly increase. A degenerative utopia can have many examples behind it. Disneyland is an example of what Harvey says is a utopia. Last summer I visited Disneyland for the first time. Upon entering the Disneyland park, you are given a map that many guests seek to use to find out how to get from place to place and guide them through the park.; this example shows us the part of the representational picture which characterizes “degenerative utopia”. After carrying out some research on the utopian nature of Disneyland, I discovered that Disneyland is a displaced metaphor for the system of representations and values ​​specific to American society. This means that it shows how a utopia should be structured and.