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Essay / Detective Fiction by Edgar Allan Poe
Crime fiction is a type of inscription in which a detective is mechanized to resolve misbehavior. The audience is challenged to explain wrongdoing by the clues given in advance. The detective reveals the answer at the end of the novel. When the story begins, the crime is familiar. In some stories, the wrong individual is blamed for the crime in order to keep the reader locked in. In the end, the detective opens an investigation to detect the guilty perpetrator. This article describes the role of Edgar Allen Poe, the father of detective fiction. The story of the lead investigator was created by Edgar Allan Poe and his short story The Murders in the Rue Morgue which he wrote in 1841 (Klein, 1999). In the story, two women are killed and the police have difficulty deciphering the circumstances. Say no to plagiarism. Get a custom essay on “Why Violent Video Games Should Not Be Banned”?Get the original essayInvestigator Dupin conducts his personal examination and solves the offense when law enforcement cannot. Poe persists in using Dupin in many additional stories. The genre expanded slightly during the 1800s. Victorian novelists, such as Wilkie Collins and Charles Dickens, wrote detective fiction. Nevertheless, when Sir Arthur Conan Doyle fashioned Sherlock Holmes, the genre flourished. Doyle wrote and completed fifty short stories as well as stories about Sherlock Holmes with his sidekick Dr. Watson. Doyle's characters are very common today. In the 1900s, many innovative detectives were introduced, ensuring the sustained growth of the genre. Some of the additional general investigators were Endeavor Morse and Gervase Fen, trained by Edmund Crispin. Crispin is credited with making the investigator genre more modern. William Legrand, the main character of "The Gold Bug", has specific characteristics with Poe's famous non-professional detective, Dupin. Legrand is memorably intimate, but because of financial difficulties, he came close to poverty. Rather, he comes from New Orleans French lineage. He resides alone on an island near Charleston, South Carolina. Moreover, like Dupin, he oscillates between sorrow and enthusiasm, which directs the storyteller towards the uncertainty of being the dupe of a class of fools (Delamater, 1997). The basic evidence of the story is that Legrand is metaphorically bitten by the gold virus after determining a portion of parchment on which he discovers a cipher with guidelines on the repressed beauty of the adventurer Captain Kidd. As in Dupin's extraordinary and significant stories, "The Gold Bug" places little emphasis on accomplishment but rather on clarifying the phases to the resolution of its mystery. To unravel the mystery of the number, Legrand establishes the potential criticisms of the poor quality detective: particular attention to the smallest detail, in-depth information on language and mathematics, in-depth knowledge of his adversary who is Captain Kidd, and above all a insightful intuition as well as methodical reasoning ability. Poe's famous gothic stories of psychological obsession, such as "The Black Cat", "The Tell-Tale Heart", "The Fall of the House of Usher", and "Ligeia", seem at first glance entirely different from his logical stories of detection . In many ways, however, they are very similar: both types depend on a secret guilt that must be revealed in both cases, the central character is an unusual whose mind seems distant from the minds of ordinary people; men; and both types are elaborate puzzles filledof clues that must be linked before the reader can understand their overall effect. “The Oblong Box” and “You Are the Man,” both written in 1844, are often cited as combining Gothic. and the compelling core of Poe's genius. The narrator of "The Oblong Box," while traveling by ocean liner from Charleston, South Carolina, to New York, becomes unusually curious about an oblong pine box kept in the cabin of an old school acquaintance, Cornelius Wyatt (Poe & Richardson, 2009). During the story, the narrator uses deductive devices to conclude that Wyatt, an artist, is smuggling a copy of Leonardo da Vinci's "The Last Supper" made by a famous Florentine painter into New York. When a storm threatens to sink the ship, Wyatt attaches himself to the mysterious box and, to the horror of the survivors, falls into the sea with it. It was not until a month after the event that the narrator learned that the box contained Wyatt's wife embalmed in salt. Although earlier in the story the narrator boasted of his superior insight in guessing that the can contained paint, he admits in conclusion that his errors were the result of both his negligence and his impulsiveness. The narrator's persistent deductive efforts to explain the mystery of the oblong box, combined with the sense of horror that arises from the image of the artist plunging to his death with the corpse of his beautiful young wife, nuance this story, although 'a minor tale in Poe's canon, as a unique combination of the Gothic and the ratiocinative. "You're the Man", while frequently classified as a mockery of small-town life and behavior, also has a thought-provoking but slight influence on the type. The story is expressed sarcastically by a storyteller who suggests an explanation for the disappearance of Mr. Barnabus Shuttleworthy. He is one of the richest and most popular residents of the city (Amper & Bloom, 2007). When Shuttleworthy's nephew is suspected of killing the uncle, Charley Goodfellow, a close acquaintance of Shuttleworth, marks every effort to protect the young man. Every term he expresses to uplift and support the supposed nephew, however, only dispels the townspeople's doubts about him. Throughout history, Goodfellow is referred to as "old Charley". He is praised as a substantial, exposed gentleman. , frank and truthful. According to the story, he receives a huge box allegedly containing wine given to him by the slain man before his death. When the box is opened, Shuttleworth's partly ugly body sits on the table, points his member at Goodfellow and says, "You're the man!" Goodfellow, unsurprisingly, admits to the murder. Charley's crude satires about not being such a "good boy" afterwards and his efforts to convict his nephew even as he pretends to have him acquitted dominate the plot of the story, the extreme sarcasm emphasizes the income by which Goodfellow is forced to admit. It is Goodfellow's honesty and uprightness that leads the storyteller to suspect from the start and therefore discover the body, to twig part of the monster's jaw, to depress its esophagus to root it and to sit down inside the case, and using ventriloquism to make it appear as if the corpse is saying the arguments of the name. The story features such characteristic police deals as the formation of false signs by the illicit and the detection of the criminal as the smallest probable suspect. "The Mystery of Marie Roget", although it also focuses on Dupin's solving a crime primarily from the newspaper reports, is based on the murder of a young girl, Mary Cecilia Rogers, near New York. Because the.