Awakening via the omniscient narratorSay no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”?Get the original essay In Kate Chopin's The Awakening, Edna Pontellier transforms from a wealthy product of mid-19th century Creole society into a beautiful independent soul who recognizes none. of the limits of the societal code. Its beauty, like the plot, only finds its full potential at the end of the story, when Edna commits suicide. As the story progresses, she experiences increasingly intense revelations that communicate to her and the audience that her soul's full potential is limited by her life's position in the Creole society of New Orleans. Throughout the story, symbols of Edna's awakening are revealed through her own confessions, the comments of other characters, and, obviously, through the omniscient narrator. In fact, it is through the omniscient narrator that we learn the most about Edna's true mind, her fluctuating social stature, and her deepest desire to rid the world (or at least her world) of societal codes. herself obligations which added to her strength and expansion as an individual” (Beaty, 102). In no other part of the book does Chopin approach the reader so abruptly with this principle of Madame Pontellier's character. So, without the facade of symbolism, the reader sees how much Edna values ​​the feeling of independence, rebellion, and defiance of societal code. “She began to look with her own eyes, to see and apprehend the deepest undercurrents of life. She was no longer content to “feed on opinions” when her own soul had invited her to do so” (Beaty, 102), with emotions illustrating her new behavior. recognized freedoms. From the text, the reader can imply that Edna recognized these urges contained within her soul at some point in the past, and it was only at this point in the present that she decided to recognize and d appease these essential impulses. When Edna moved to the Pigeon-house, the house appealed to her because it gave her a “feeling of home” (Beaty, 102). However, she also felt like she was going down the social ladder while rising up the spiritual ladder. Edna understands how and why the social structure of Creole society works. It can be argued that the decision to appease his internal urges is part of his new comfort in the Creole hierarchy. Chopin reveals at the beginning of the story: “Mrs. Pontellier, although having married a Creole, was not entirely at ease in Creole society; never before had she been thrown so intimately among them.... They all knew each other. the other, and felt like a big family, among whom existed the most friendly relations” (Beaty, 46). At first, this seemingly incautious air within the elite society confuses Edna, but later she understands that such characteristics are unmistakable signs of a Creole girl, born with such characteristics. "She remained alone in a kind of reverie, a kind of stupor. Step by step, she relived every moment of the time she had spent with Robert after he walked through Miss Reisz's door. She remembered his words, her glances. How rare and meager they had been for her hungry heart! A vision – a transcendent and seductive vision of a young Mexican woman appeared before her with a pang of jealousy. She wondered when he would come back. . She had been with him, heard his voice, and touched his hand. But somehow he had seemed closer to her there in Mexico” (Beaty, 108). 'Edna., 1999. 41-116.