Last week marked the 40th anniversary of the death of Gordon Matta-Clark, architect, artist and James Dean type rebel. Recognized as a key contributor to the conceptual, process, and performance art that emerged in New York in the late 1960s and 1970s, Matta-Clark is a major player in the art world context underground. In the latter half of the 1900s, New York City saw better days. With crime and the financial crisis the dominant themes of the decade, Gordon Matta-Clark declared himself an "anarchitect." “Like any good anarchist, he blamed capitalism and what he described as the failures of institutionalized architecture as well as the modernist movement for what was happening to his city. Capitalism – the one we’ve heard about before. But who can blame the beautiful geometric simplicity of modernist architecture? In the words of a bitter and comically named Marxist, Mikhail Lifshitz explained in 1966: "Among them (the modernists) there is a cult of power, a joy of destruction, a love of brutality, a thirst for a thoughtless life and blind obedience. “Was it the words of this apparently unhinged critic that inspired Matta-Clark to attack the architectural institution? Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get an original essay To the best of our knowledge, the answer is maybe. Matta-Clark's work includes performance and recycling pieces, works of space and texture. His most famous "building cuts", as the name suggests, involved cutting out large sections of the facades of structures and playing with the light shining through the new openings. Seen from the street, the impressive deconstructed buildings shocked people's reality. living in New York. Forty years after his death at the age of 35, society is still experiencing similar problems, hyper-gentrification, growing inequality, general doubt about institutional authority, to name a few, 2018 has been a crazy adventure. probably all of them like to get away with it. Inspired by the iconic work of Gordon Matta-Clark, today's architects and artists have realized that manipulating buildings or attacking ancient structures is an effective way to communicate messages. A London-based artist and architect, Alex Chinneck, uses his. pieces to challenge spectators' preconceived perspectives as they walk the streets of England's cities. His most recent piece (just published in August), 'Open to the Public' is a converted derelict office building in Ashford, Kent. Chinneck cheekily added two zippers that appear to open the exterior of the building, revealing a dilapidated space inside. Asmund Havsteen-Mikkelsen created a replica of the Villa Savoye, one of Le Corbusier's most famous buildings, and sunk it in a Danish fjord. Villa Sovoye is hailed as the poster child of the modernist movement. According to the artist, Sinking It is a commentary on the current political landscape and a representation of the values ​​of modernity that have been overwhelmed by technology in the United States and Britain. On the coast of Taiwan, a team of artists transformed a 9-foot brutalist concrete loudspeaker, once used to broadcast anti-communist propaganda in China, into an art installation. The artists intend by the project to “play with the idea of ​​the territory as a geographical entity, but also as a sound and mental entity”. With just enough blur to give us an idea,.