At any given time, countless people are listening to electronic music. It's hard to believe that just ten years ago, techno was considered an underground movement. In the early '80s, a trio of Detroit pioneers began fusing the sounds of synthpop and Italo-disco with funk. Juan Atkins, Derrick May and Kevin Saunderson were high school friends who went to dances where the music ranged from Kraftwerk to Parliament. They listened to an influential radio DJ, The Electrifying Mojo, who played European imports alongside Prince and the B-52s. Say no to plagiarism. Get a custom essay on "Why Violent Video Games Should Not Be Banned"?Get the original essayIn 1981, Atkins and Richard Davies, aka 3070, began releasing records under the name Cybotron. Techno was born. Around the same time, the young hip-hop community took elements of Kraftwerk's music, thanks to DJs like Afrika Bambaataa and Grandmaster Flash, and created electro. Electro relied heavily on synthesized beats and computer vocoder vocals. In 1982, Afrika Bambaataa took the melody of Kraftwerk's "Trans-Europe Express", combined it with the distinctive rhythm of Kraftwerk's "Numbers" and composed the anthem "Planet Rock". Electro spawned the idea of ​​the funky computer. MCs rapped to his beats and breakdancers formed a new culture in cities where electro reigned. In Chicago and New York, house music was taking a similar path. Larry Levan, Frankie Knuckles, Ron Hardy and other DJs were spinning synthesizer-driven dance music and creating their own edits and mixes. Soon after, Chicago radio adopted Hot Mix 5 on WBMX and locals began creating their own tunes to play. Techno, electro and house were made possible by new, inexpensive technology. The Roland TR-808, a programmable drum machine released in the late 1980s, formed the distinctive sound of the entire electro genre and was used in countless early techno and house tracks. The 1981 Roland TB-303 mini keyboard was once used to create smooth basslines. people discovered the strange sounds that emerged from the slightest turn of a knob. Samplers and sequencers have also become commonplace. In the late 80s and early 90s, something strange happened. Techno and house, which had failed to achieve mainstream success in the United States, became a huge phenomenon in Europe, particularly Britain. In fact, the term techno was popularized by the seminal British compilation Techno! The new dance sound from Detroit. Around 1990, raves began to appear near London. Most of the organizers of these large illegal parties made their money by circumventing UK licensing laws. Sometimes the location was secret until the night of the event, and elaborate telephone towers and meeting points were used. Hundreds of ravers descended simultaneously, making parties harder to separate. For a brief period in the UK, rave music became pop. Keep in mind: this is just a sample. Get a personalized article from our expert writers now. Get Custom Essay In 1996, The Prodigy reached number one on the pop charts with two different singles, and for a time the recording industry attempted to promote electronic music. At the same time, Warp Records built up a roster of musicians who preferred to explore more experimental fare. Autechre (Sean Booth and Rob Brown), Aphex Twin (Richard D. James) and Squarepusher (Tom Jenkinson).