Underbelly Arts Festival is a two-day presentation and celebration of contemporary Australian art in all its forms. 21 ambitious new projects spanning installation, performance, dance, sound, visual arts, intervention, digital art, radical opera, architecture, activist and participatory practices and everything in between, the selection of this year's program being approached with a feeling rather than a particular feeling. theme.Say no to plagiarism. Get a tailor-made essay on "Why Violent Video Games Should Not Be Banned"?Get an Original Essay The common thread running through this year's Underbelly Arts is that each artist took something they are deeply connected to and squeezed it to see what new forms emerge: Christian liturgy and Chinese opera, cultural songs and clay, hot chips, Dostoevsky's Notes from the Metro, Albert Camu's Myth of Sisyphus and Beyoncé's Watermelon. Taoist shrines, Indian noise music, public complaints, memes, germs, Tamil devotional films and reality TV with the artists sharing with the public the stories of their multi-geographic, multi-cultural, multi-faith, multi-historical upbringing and multi-genre. Proceedings were serenaded with mournful goth jams, visceral electronic beats and roving performances from Bhenji Ra and Angela Goh to celebrate the opening night of the Underbelly Arts Festival, featuring Melbourne's HABITS, Gussy and Jikuroux . A behind-the-scenes look at experimental art-making is offered as the curtain was raised on the creative process via a two-week program of behind-the-scenes laboratory tours and evening events – from experimental poetry readings to lectures that cover the genetics of the apple and decolonization of the dance floor, group discussions on visioning the future and a presentation on the art of listening to the tides. Artists from the 21 projects will be on site at the National Art School, developing, installing and rehearsing their ambitious projects. Keep in mind: is just a sample. Get a personalized paper now from our expert writers. Get a personalized essay After taking a tour of the laboratory, one is invited to delve into the program of events in evening of Late at the Lab: lectures, workshops, lectures, film screenings, readings and performances organized in collaboration with Runway Experimental Art, NOW now, Subbed In, 2 Up, among others. In the ten years since its launch at Carriageworks, this biennial arts, music and performance festival has established itself as a kind of alt-Biennale: bolder, locally focused, but still in favor artists with big visions and creating a festival that has always been immersive and interactive in its presentation of “art”. Roslyn Helper, former Underbelly Arts participant and new festival director, has taken over, providing emerging artists with a forum and appropriate space to develop and present their shows. A festival of vital importance to the future of Australian arts and one worth marking in your calendar..