Mexico is known for a few things that range from its beautiful coastlines to its remarkable small towns to its subsistence, but another part of Mexican culture that is also emerging is its many types of music. When people think of the music of Mexico, they often think of mariachi or banda and movements that are related to class, but what many people don't understand is that there are different types of music, for example corridos and many types. of sounds. Since there are many Mexican music lessons, I will focus on corridos. Corridos have always been an essential type of Mexican music because they always contain a critical message, although questionable here and there, and also describe the daily lives of Mexicans. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”? Get the original essay Corridos have been around for a very long time. Despite the fact that, if you ask a man, he probably won't be able to tell you how or where he started or what his underlying foundations are. Corridos have also changed over time and have also become extremely political and controversial due to their links to tranquilizing trafficking, cartels and savagery. Corridos are said to have existed for over 100 years. As Sheehy indicates, corridos shaped and gained notoriety through the seasons of revolution: "The insurrection that began in 1910 nevertheless gave rise to the well-known intrigue that led corrido characters like Francisco Madero, Francisco Villa, Emiliano Zapata and the horde. others” (Olsen and Sheehy 198). Since the corrido was produced in the midst of the Mexican Revolution, it can be expected to be a corrido. Given the conditions in which the corrido was conceived, the corrido was probably around one of the pioneers of the upheaval. Although the corrido is often associated with a progressive context, its verifiable roots are actually much more modest: put simply, its verifiable roots would be in Spanish sentiment, a long, often epic song, organized in a series of coplas, and the Printed decimas of the 19th century circulated in the mold of English posters as a means of disseminating open information about socially notable events. Corridos are not only about progressive personalities, but also about the daily lives of Mexicans. Corridos can also be about affection, movement, family and, from the 1950s, drug trafficking and brutality. From my own particular involvement in listening to and being a corrido fanatic, corridos can be merged into various sorts of Mexican classifications. Corridos are frequently linked to musica norteña, otherwise known as grupos norteños. The Grupos Norteño essentially consists of an accordion, bass, guitar and drums. In addition, corridos are also popular among bandas, mariachis and smaller categories in Mexico and the United States. Although corridos began in Mexico, they also became famous in the United States due to the resettlement of Mexicans in the United States. . Although corridos are currently widespread throughout Mexico and the United States, they are often considered the most famous in northern Mexico, as a large portion of the artisans who sing corridos are from the province of Sinaloa. Being a corrido enthusiast, I have seen melodic gatherings playing corridos at many events. For example, I have attended shows in the United States and Mexico, and the setting is to some extentdiversified for each country. The shows I went to in the States were in San Jose, at the San Jose Convention Center, which is a prime venue for events. One of the shows I went to was by Larry Hernandez, who is an extremely well known corrido artist and at the show everyone was up and moving to his music. Then again, when I went to a show in Mexico, it was in Palenque, which is an area in which shows take place and other traditional Mexican events like chicken fights between different occasions take place in Palenque. Unlike the occasions I've been to in the US, in Palenque you get a place. Likewise, since corridos became big, even my family has organized conjuntos norteño or banda for family parties that play corridos to some extent, as my family is not exceptionally enamored with today's corridos 'today. Corridos were famous locally in the midst of the Mexican Revolution. However, outside of the political scene, they were not that important. Although corridos were a way of expressing a man's daily life and struggles, they eventually lost their fame in Texas and other places. “The custom of corrido itself was not abandoned in Texas, however; 1930s" (Dickey). Corridos, nevertheless, gradually became important starting in the 1950s and became even more important from then on: "In the late 1940s and 1950s, as Texan-Mexican music eventually became popularized, Texan-Mexican music eventually became popularized as corrido” (Dickey). With corrido becoming more and more prevalent, the subject matter within corridos had changed. According to Dickey, the corridos were beginning to be about drug piracy and Chicano developments. As the corridos came back to life, the topics discussed in the air became more authentic and debatable. Although corridos became ubiquitous in the 1950s and 1960s, it was not until the 1970s that the artisans who created corridos began to become better known. Two gatherings that rose to prominence during this decade were Los Cadetes de Linares and Los Tigres del Norte. These two gatherings rose to prominence thanks to their melodies which identified with stealth, burglary or wickedness. For example, “Los Dos Amigos” by Los Cadetes de Linares is a good example of a song about flying: “vamos a robar el tren que viene de Vermejillo…” (musica.com). This song was specifically about two men's excursion. This tune is one of many tunes dealing with taking or dealing drugs. Coincidentally, these kinds of tunes were occurring at a time when drug trafficking to the United States was increasing. Los Tigres del Norte probably has one of the most famous, if not the best, tracks associated with this subject and era, with their track called "Contrabando y Traicion". The melody was about a person and women who go on an adventure to transport drugs: "Salieron de San Isidro, procedentes de Tijuana, traian las llantas del carro repletas de hierba mala, eran Emilio Varela y Camelia, la Texana "(musica.com). The melody tells how they passed on the medicine and what they did after passing on the medicine and getting paid. Like Contrabano Y Traicion, many of these melodies were often about characters or real masters of medicine and their stories. However, a significant number of corridos from the 1970s and subsequent decades would morph into a subgenre called narcocorridos, whichmeans corridos on topics related to medicines, there were still many corridos that touched on different themes, for example a man's life or essentially worship. Indeed, even gatherings where narcocorridos were sung, for example at Los Tigres del Norte, had sentimental melodies, for example "La Puerta Negra" (The Black Door), this discussion about the fact that the parents of a young woman wouldn't let her go. go out with a person: "Ya esta cerrada con tres candados y remachada la puerta negra porque tus padres estan celosos y tienen miedo que yo te quiera" (musica.com). Regardless, much of the melodies were about feeling, they were mostly about a man's adoration for a young woman and often about obstacles in a man's association with a woman since most Corrido performers and gatherings were composed of men. In the 1980s and 1990s, more and more Mexican artisans were becoming stars. Among these specialists was Chalino Sánchez. Chalino Sánchez stands out among the most widespread corrido artists of all time. Although he is one of the most famous and beloved corrido singers of all time, his life ended shortly after becoming celebrated. As policemag.com reports, Chalino Sánchez rose to prominence shortly after being released from prison and word spread that he was composing corridos for people in exchange for items, e.g. stones valuables, weapons, among other important things. As his popularity grew, so did his interest in returning to Mexico to perform his corridos, in which disaster would strike after his solitary performance in his home country. "After the show closed at midnight... two Chevrolet Suburban police vehicles stopped Chalino. The vehicle was overturned. A few uniformed men surrounded the vehicle and one man showed recognizable evidence to state police... He begged the Madrina shooters not to take any of the others, and Chalino headed out… Hours after the incident, Chalino Sanchez's body was discovered dumped in a water supply system north of the city "(policmag.com). Given his importance in Mexican music, the news of his shocking death was decimating for his fans, as well as many Hispanics. It is regularly said that his death was probably identified with what he sang in his corridos. The brutality towards corrido singers did not stop at Chalino Sánchez, as more and more specialists were murdered in the 21st century. With the current war on drugs that Mexico and the United States are waging, it has caused a large number of deaths in Mexico and the United States which have also affected many Mexican specialists. Another famous Mexican craftsman who was executed regarding corridos was Valentin Elizalde. While Valentin Elizalde sang narcocorridos, he also sang songs about affection like “Te Quiero Asi” and “Vete Ya,” but one of his best-known songs is the one that may have led to his death. His song "A Mis Enemigos" (To My Enemies) is regularly associated with his death, as many people believe that this song may have been coordinated with a certain cartel in Mexico. The entire melody is by all accounts demonstrating that he is not afraid of anyone as heard in the melody: "para hablar a mis espaldas para eso se pinton performances porque no me hablan de frente, acaso temen al mono, ya saben con quien se meten, vengan a rifar la suerte” (musica.com). This verse basically says that "people are good at speaking in the face of my good faith,..