In The Hay Wain, John Constable chose to paint a rural landscape stretching into the distance into sunny meadows, offset by the cool waters of the swimming pool in the foreground. The theme This painting depicts much of the rural life and beauty of the landscape that the artist loved so much. The Hay Cart is based on a site near Flatford on the River Stour, Suffolk, England. The cottage to the left of the image was rented by a farmer and is behind it. the Flatford Mill owned by Constable's father, across the meadow in the distance on the right, a group of tedders can be seen hard at work The farm workers are hard at work but appear battled and are surrounded by beautiful scenery. aspects illustrate Constable's idyllic vision of his native county of Suffolk. Say no to plagiarism. wrote an essay on “Why Violent Video Games Should Not Be Banned”? Get the original essay Whatever Constable's idyllic view of rural England throughout his career, it is unlikely that there was as much peace and happiness in the countryside during this period. Due to the start of the Industrial Revolution in the 19th century, many rural populations found themselves unemployed as agricultural work became more industrialized and machines reduced the labor force needed to harvest and maintain crops and crops. animals. Large areas of Britain have also seen uprisings and riots among rural communities hit by job losses. It may be that Constable did not paint these issues because he did not want to distract from the natural landscape itself. In The Hay Wain, the workers willingly integrate into nature and live in harmony with the neighborhood. On the other hand, the admission of the true relationship that agricultural workers had with the land could have been because the Industrial Revolution simply did not affect Constable; he came from a rich family and the revolution only served to enrich the rich. Through his family friends and associates, Constable was exposed to what was considered the best art of his time, leading him to develop his own style of painting, exemplified in The Hay Wain. Unlike the symmetrical, classical landscapes of Claude Lorraine, widely considered the pinnacle of landscape painting until Constable's time, The Hay Wain is depicted as an actual scene and therefore symmetry is not as important as the realism in the work. Instead, Constable drew what he saw and, ultimately, what he knew well, having lived near this farm as a child. Complete, perfect beauty – something that could only be created in a mythical or biblical world – was popular in Constable's time. The artist painted nature as it was and his work was a breath of fresh air in an art world full of overly dramatic and stylized landscapes. In keeping with the artist's love of nature, natural tones are predominant in The Hay Wain and there is contrast between the water feature, the tall delicate trees and the sturdy brick house to the left. The different tones all complement each other and repeat to add harmony to this room: the blue of the pool is reflected in the sky and the red of the house is subtly highlighted in the trees and in the horse's harness. Trees and grass surround the entire composition with relief of yellow meadows disappearing to the right, helping to prevent.