The following analysis of the Atlanta season will address the question "How do the four elements of cinematic style communicate the theme of the television program and influence the response from the spectators to the characters and characters? story » I will discuss how the stage setting and other elements of the setting add to the theme of the series. And how that relates to the series' cinematic intentions of moving the narrative forward. Finally, the pacing and action shots of the scenes relate to the theme of the series which is exposure to the harsh reality of life in Atlanta. Say no to plagiarism. Get a tailor-made essay on “Why Violent Video Games Should Not Be Banned”?Get an original essayThe series Atlanta is based on the realistic setting and perspective of a black man's life in Atlanta, the main character Ernest is a struggling father Economically, he has a low paying job and is one of the typical everyday black men trying to get by, living in Atlanta. The series depicts the racial demographics and economic realities that people face when living in Atlanta. The second main character is Alfred Miles “AKA “Paperboy, he is Ernest's cousin, he is a rising rapper and has released a new mixtape which is gaining popularity. Miles represents black culture and Atlanta hip hop culture. The series Atlanta is a comedy-drama that uses comedy to address points in the series like police brutality, what it is to be black, poverty and Atlanta as a city and magical realism (Opam: 2016 ). The opening scene begins with a matching action shot where Alfred Miles is in his car, someone drives by and hits his rearview mirror. This is an action shot to match, as Miles' voice can be heard as he exclaims '(what is that...!). It then moves to a long shot to see the setting which is a convenience store, then moves to a medium close up of Miles and Ernest in the car. It all moves at a rapid pace, abruptly throwing the audience into the harsh reality of life in Atlanta. This gives us the feeling that we must be attentive and vigilant in this city. The fact that Miles keeps a gun in a car makes us realize that we need to protect ourselves. This begs the question of where are the police or how does the policing system work in Atlanta? The setting of the scene is that of a convenience store. "For many stories of black male incarceration", the setting is not just a specific setting, however, Atlanta as a city as a whole is the setting for the series as it has a great impact in terms of cinematic intentions of the series. Atlanta, the setting is meant to be its own character as a setting "can come to the fore, it need not be just a container for human events, but can enter dynamically into the narrative action" which it is clean. However, the cutscenes are not intrusive as they allow you to choose according to the elements, but the setting helps and advances the story. the cinematography is therefore simplistic because the setting alone naturally adds texture to the story. Part of directing is the framing and composition of the scene. In the opening scene, there is a moment where Alfred Miles confronts the man who hit his rearview mirror. Ernest stands between the two characters and this creates a triadic position, which tells us the characteristics of Ernest in which he is not involved between this fight and who plays the role of mediator in the situation trying to calm things down . The stable camera that creates smooth continuity movement andcreates a realistic feel moves from a medium close-up of Alfred Miles to a close-up at Earn's eye level "implying that the camera's attitude toward the subject is neutral. He then moves towards a man in medium proximity who has ripped off his rearview mirror. The costumes of the characters give more richness to the story. Earnest is dressed in simple clothes (shorts, red tee) while Miles and the man who hit the rearview mirror are dressed in baggy pants with gold chains which are a rapper type signature style, on the other hand, Ernest doesn't fit in or stand out, it seems that the people around him are just different from Ernest himself, this may be a questionable identity crisis which relates to the theme from this point of view. black man living in Atlanta whose hip-hop culture was heavily dominated. A prop in the scene is once again 3 guns, which adds to the narrative of a harsh reality as these people carry guns on their person, which exposes the audience to the harsh realities of life in Atlanta. Another prop in the scene is the dog that one character Darius points out by saying he has deja vu and asking "where are the dogs with Texas on him". The same god is shown in another scene representing a deeper meaning of the story and relating to the theme of magical realism. The lighting source in the scene has cut on the convenience store the straight lines around which give us a very natural and super stick feel which is the aim of cinema. The lighting is very underexposed so there are imperfections which add to the realistic and simple cinematic intentions of the series. Even though characters of a black race would need more lighting on their faces due to cinematic intentions, there is no need to add lighting as the shadows add to the realistic feel the program aims to achieve. represent, what is linked to the theme. of the series which should give the point of view of the everyday black man in Atlanta. The lights used are LED lights to give a specific style which is the productive style of the series, they create a unique distinct style. There is a diegetic sound of hip-hop music playing in the background that already tells us, the viewers, that hip-hop is playing in the background. hop/rap is going to be a theme of the series. Second, a man shouts “world star,” an asynchronous sound that is humorous. The dialogue between the characters is unique because they have specific lingo that is due to the environment and community they live in and they come from the same type of communities as far as they understand each other. Another scene represents the series' theme of magical realism. Earn is on the bus with his daughter in his arms during a medical close-up. He then cuts to a medium a shot with a man on a bus dressed in a suit and bow tie sitting on the other side of the bus who magically appears in the scene and doesn't seem to have any place in the bus, he then says "your mind is racing" to win and it is true that Earns' mind is racing. We then cut to a close up where the man on the bus is sitting next to Earn The face is in focus while the background is blurred. This is a rack focus that keeps the subject in focus and the background can be blurred. man asks Earn to tell him about his problems and Earn opens up and says, "I keep losing, I mean, some people are just supposed to lose their balance on earth," while Earn is in his inner thoughts, the man in the fuzzy suit in the background butters his Nutella sandwich and gives Earn philosophical advice like "actually, victory belongs to things that just don't see failure." it turns into a shot over.